No Budget Films

7 Low Budget Film Making Tips to Help You Make Your First No Budget Film
In regards to this kind of motion picture making, there are several ways to increase interest in your projects. One of the greatest resources for low funds films and independent movies is the online viral video. YouTube may be the perfect place to showcase your indie movie producing project, because you may well show clips, trailers, job interviews, and even just talk about your movie in the videos that you really post. This will get people interested and help increase your traffic which means that your movie gets more exposure. These projects are creatively independent, so that all of the decisions are up to you. If you don’t want to compromise your Filmmaking by giving into the whims associated with whatever Hollywood wants, it is possible to count on independent films to help you have creative control of the entire project. Of path, an independent film is not a good if it isn’t noticed. It’s nice to feel that the satisfaction and accomplishment of getting a movie produced will do, but that’s rarely the case. Every indie movie making project is an attempt to gain the most opportunities and interest possible inside hopes that the movie is going to be wildly successful. Indie movie making is very personal and different for everyone. However, you need to take advantage of all resources that you can find so that you can make the most of your film projects, no matter what they may be. You can take your finished film to a lot film events and independent film festivals to own it shown in the hopes that it will generate a substantial following. Of course, if you don’t have the right foundation or exploit resources like YouTube to market your indie movie making projects, you won’t get far whatsoever. .Entertainment should be accepted in all format. Sometimes, a thousand thousand budget film went unnoticed. Several low budget flicks have proved successful in Hollywood together with International cinema. In order to own huge profit Return involving Investment (ROI), filmmakers should now focus on producing low budget films. However, making such films need careful attention and planning to meet the International standard and that viral marketing. Quite often, small films could stroll the red carpet in International Film Festival circuits and became a fortune bag for the producers. Now decide no matter whether you really want to produce a film. Theme and subject should direct you to prepare a nice story. Always prefer the local stories and theme for the vast majority of stories nowadays are often repeated or inspired in one film to another. This article gives you 7 low quality Film Making tips to help you out make your first no budget film. Work with a Camera You Already Get There is no sense in buying a big fancy Hollywood type with camera. Many B movies have been completely shot on digital surveillance Cameras. Don’t look for typical actors; look for people you are aware that will fit this part. Your goal this is to learn low funds film making, so save your movie budget super small. Don’t waste it on actors. Don’t Shoot Complex Scenes Prevent your scenes simple. Don’t spread your actors into several rooms and try to bounce in between the two. low budget movies, making low budget films, low budget movies
The Greenwich Village Massacre Ben’s No budget film
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Ponyo $14.98 Synopsis: 0Item Type: DVD MovieItem Rating: GStreet Date: 03/02/10Wide Screen: yesDirector Cut: noSpecial Edition: noLanguageENGLISHForeign Film: noSubtitlesnoDubbed: noFull Frame: noRe-Release: noPackaging: Sleeve Please note: This supplier will be closed on 11/24, 11/25, 12/26, 1/2 for the holidays. The shipping cut off is 12/10 to try and have the products delivered by Christmas…. |
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Mega Shark vs Crocosaurus $9.94 Studio: Asylum Home Entertainment Release Date: 12/21/2010 Run time: 90 minutes Rating: Nr… |
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Avatar $15.35 In a distant corner of the universe, a devastating conflict is about to erupt between two very different worlds. On the planet of Pandora reside an indigenous people known as the Na’vi. When the Na’vi find themselves engaged in a struggle with the RDA Corporation, a space-faring consortium in search of valuable resources, it sets the stage for a conflict unlike any the universe has seen before. St… |
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Rebel without a Crew: Or How a 23-Year-Old Filmmaker With $7,000 Became a Hollywood Player $8.74 No one has landed on the cinematic map with more explosive force than Robert Rodriguez, director of El Mariachi. Just how did this amateur filmmaker from Texas – with only one camera, no crew, and a budget largely raised by subjecting himself to medical experimentation – manage to complete a feature film for $7,000 and get himself wined and dined by Hollywood’s biggest movie moguls? Now, in his ow… |
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Budget Egypt $559 This compact adventure offers maximum Egypt at minimum cost. Stare in amazement at the pyramids and float down the Nile on a felucca. Embrace the culture and meet remarkable people as you dine on traditional fare with a local family in a Nubian village. You’ll get basic accommodation and transport to the best sites. Walk through the Valley of Kings or explore Karnakit’s your call. Don’t just dream of Egypt, wake up in the land of the Pharaohs and open your eyes to adventure. |
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Director of the Budget Department Maurice H. Stans Attending a Budget Department Meeting $69.99 Director of the Budget Department Maurice H. Stans Attending a Budget Department Meeting – Photographic Print |
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Bruce Brown Films – Surf Crazy $29.99 Bruce Brown Films – Surf Crazy – Wood Sign |
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Bruce Brown Films – Water Logged $69.99 Bruce Brown Films – Water Logged – Wood Sign |
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Latin Films presents Cabiria, c.1914 $19.99 Latin Films presents Cabiria, c.1914 – Premium Poster |
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Official United States War Films $19.99 Official United States War Films – Masterprint |
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Budget Airport Parking $4.99 Discount Omaha Eppley Airfield (Omaha Eppley Airfield) airport parking. Compare & save on parking with Budget Airport Parking. Free shuttles. |
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Budget Rent a Car $4.99 Discount Buffalo International Airport (Buffalo International Airport) airport parking. Compare & save on parking with Budget Rent a Car. Free shuttles. |
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Budget Hosr Imm Kissimmee $49.99 INN/CHALET LIMITED SERVICEYEAR BUILT 1985 YEAR REMODELED 2005ADDITIONAL PROPERTY DESCRIPTION THE BUDGET HOST INN KISSIMMEE, IS JUST 5 SHORT MILES TO WALT DISNEY WORLD, ONE OF THE CLOSEST HOTELS IN KISSIMMEE TO THE RESORT. WHEN YOU STAY AT BUDGET HOST INN, YOU WILL FIND EXCEPTIONAL QUALITY AND VALUE. |
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BUDGET HOST INN TAOS $89 HOTELYEAR BUILT 1984 YEAR REMODELED 2009ADDITIONAL PROPERTY DESCRIPTION MAKE YOUR STAY IN TAOS, NEW MEXICO PLEASANT YET AFFORDABLE. BUDGET HOST INN OFFERS CLEAN, MODERN ROOMS AT RATES THAT WILL KEEP YOU WITHIN YOUR VACATION BUDGET. |
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Lloyd George’s Budget Scares the Commons $34.99 Bernard Partridge Lloyd George’s Budget Scares the Commons – Giclee Print |
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BUDGET HOTEL KRISTIANSAND $71.74 HOTELYEAR BUILT 1999ADDITIONAL PROPERTY DESCRIPTION BUDGET, ALWAYS PERFECTLY CLEAN AND PROPER, IS FOR EVERYONE IN NEED OF A GOOD NIGHT S SLEEP AND NO UNNECESSARY EXTRAS. BATH ROOM WITH SHOWER AND TOILET IN ALL ROOMS. COMPLETELY RENOVATED IN SPRING 2010. |
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BUDGET SUITES OF AMERICA STAR $99.95 Budget Suites Of America Offers An All Suite Property For Your Convenience In The Heart Of The Las Vegas Strip. All Guest Must Be Over 21 Or With Parent/Spouse And Must Register At Check in |
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Budget Inn Hospice $40.86 Budget Inn Hospice is located in Surat. Features.Budget Inn Hospice features valet parking. Room service is available 24 hours a day. Guestrooms. Televisions are available in guestrooms. Rooms also include air conditioning. |
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Budget Host Inn $96.95 Budget Host Inn is located in Circleville. Hotel Features. The hotel serves a complimentary continental breakfast. Budget Host Inn features express check in, express check out, and coffee in the lobby. Additional property amenities include a microwave in the lobby. Guest parking is complimentary. The front desk is open 24 hours a day. Guestrooms. Televisions have cable channels. |
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Best Budget Inn – Abilene $106.65 Best Budget Inn Abilene is located in Abilene. Features.Dining options at Best Budget Inn Abilene include a restaurant. Recreational amenities include an outdoor pool. Complimentary wireless Internet access is available in public areas. Guest parking is complimentary. Guestrooms. In addition to complimentary wireless Internet access, guestrooms offer phones. Televisions have cable channels. Rooms also include clock radios. Guestrooms are all non smoking. |
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Walnut Budget Hotel $80.75 Walnut Budget Hotel is located in Hyderabad, close to G.M.C. Balayogi Athletic Stadium. Additional area points of interest include Qutub Shahi Tombs and Jawaharlal Nehru Technological University. Features.Dining options at Walnut Budget Hotel include a restaurant. Room service is available. Recreational amenities include a fitness facility. This 3.0 star property has a business center. Wireless Internet access is available in public areas. Guestrooms. Coffee/tea makers and minibars are offered. Televisions are available in guestrooms. Rooms also include air conditioning. |
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Sailor Surrounded by Comrades Films a Performance $39.99 Joseph Baylor Roberts Sailor Surrounded by Comrades Films a Performance – Photographic Print |
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Budget Weddings For Dummies $6.99 Are you planning a wedding, but worried about how much money you’ll have to spend? In today’s tough economic times, planning a budget wedding is more important than ever. This fun, money-saving guide is packed with tips for planning the wedding of your dreams without breaking your bank account! Inside you’ll find tons of tips and advice for planning a budget-friendly celebration while still remaining true to your personality, values, and tastes. You’ll see how to make and keep your wedding budget; select the most economical time to get married; scope out wedding locations that fit the bill; and incorporate everything from economical to green ideas that emphasize style and elegance. Plus, you get tips and pointers for negotiating with vendors and avoiding hidden expenses and add-ons. |
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$30 Film School: How to Write, Direct, Produce, Shoot, Edit, Distribute, Tour With, and Sell Your Own No-Budget Digital Movie $5.18 New – With digital video cameras and desktop video editing tools cheaper than ever, making a film on one’s own is now easier than ever. Independent artist Dean shows readers how to create compelling films without a budget. |
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Adobe After Effects 7.0 Studio Techniques [With Dvdrom] $3.71 Ready to learn the visual effects techniques used at such leading-edge studios as Industrial Light + Magic and The Orphanage? Adobe After Effects 7.0 Studio Techniques inspires you to take your work to the next level with real-world examples and insider techniques. With this under-the-hood, in-depth guide to Adobe’s updated motion graphics and effects powerhouse, you’ll get complete coverage of all the big features in After Effects 7.0: High dynamic range (HDR) 32 bit per channel color compositing, cinema preview and color management, a redesigned user interface, a new Graph Editor to animate using explicit translation curves, retiming effects using Timewarp, and dozens of other enhancements. Get blockbuster results without the big budget as you delve deep into the essence of visual effects. This book goes beyond conventional step-by-step instruction, teaching you bread-and-butter effects that you can adapt and combine for countless projects. Real solutions from real professionals: learn the techniques and approach used to create shots for big-budget special effects films. Compositing essentials: No matter how sophisticated the effect, they all begin with the same building blocks. Find out what you’ve been missing about color and light matching, keying, motion tracking, rotoscoping, working with film, and more. Advanced techniques: Your goal should be effects so good that no one notices them. From sky replacement to explosions, from smoke to fire, learn to bring your shots to life and enhance scenes without anyone ever knowing what they’re seeing isn’t 100% real. Companion CD-ROM: Professional tools produce professional results. The book’s companion disc includes plentyof sample projects including HD footage from Pixel Corps and the Artbeats Digital Film Library, as well as more than a dozen plug-ins and programs that you can use to build up and customize your own effects. |
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Alien vs. Predator-Requiem 2pk $34.98 Get ready to get caught up in the biggest war of the century! Featuring big-budget action and special effects, this exclusive Unrated 2-Pack includes two films that science-fiction fans have been waiting for – AVP: ALIEN VS. PREDATOR and AVP-R: ALIENS VS. PREDATOR – REQUIEM!AVP: The deadliest creatures from the scariest sci-fi movies ever made face off for the first time on film. The incredible adventure begins when the discovery of an ancient pyramid buried in Antarctica sends a team of scientists and adventurers to the frozen continent. There, they make an even more terrifying discovery: two alien races engaged in the ultimate battle. Whoever wins…we lose.AVP-R: Packed with adrenaline-pumping action, heart-stopping suspense, and 10 additional minutes of blood-soaked action too shocking for theaters, this unrated version of AVP-R escalates the war between sci-fi’s scariest movie icons! After a horrifying PredAlien crash-lands near a small Colorado town, killing everyone it encounters and producing countless Alien offspring, a lone Predator arrives to clean up the infestation. Soon it’s an all-out battle to the death with no rules, no mercy — and hundreds of innocent people caught in the crossfire. As the creature carnage continues, a handful of human survivors attempt a daring escape, but the U.S. government may be hatching a deadly plan of its own… |
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Alien vs. Predator-Requiem 2pk (Blu-ray) $39.99 Get ready to get caught up in the biggest war of the century! Featuring big-budget action and special effects, this exclusive Unrated 2-Pack includes two films that science-fiction fans have been waiting for – AVP: ALIEN VS. PREDATOR and AVP-R: ALIENS VS. PREDATOR – REQUIEM!AVP: The deadliest creatures from the scariest sci-fi movies ever made face off for the first time on film. The incredible adventure begins when the discovery of an ancient pyramid buried in Antarctica sends a team of scientists and adventurers to the frozen continent. There, they make an even more terrifying discovery: two alien races engaged in the ultimate battle. Whoever wins…we lose.AVP-R: Packed with adrenaline-pumping action, heart-stopping suspense, and 10 additional minutes of blood-soaked action too shocking for theaters, this unrated version of AVP-R escalates the war between sci-fi’s scariest movie icons! After a horrifying PredAlien crash-lands near a small Colorado town, killing everyone it encounters and producing countless Alien offspring, a lone Predator arrives to clean up the infestation. Soon it’s an all-out battle to the death with no rules, no mercy — and hundreds of innocent people caught in the crossfire. As the creature carnage continues, a handful of human survivors attempt a daring escape, but the U.S. government may be hatching a deadly plan of its own… |
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American Epic Films (Study Guide) $31.5 Purchase includes free access to book updates online and a free trial membership in the publisher’s book club where you can select from more than a million books without charge. Chapters: The Godfather Part Ii, Patton, Dances With Wolves, the Godfather Part Iii, Superman, the Godfather, Gangs of New York, Malcolm X. Excerpt: Dances with Wolves Dances with Wolves is a 1990 American epic western film based on the book of the same name which tells the story of a Civil War-era United States Army lieutenant who travels to the American frontier to find a military post, and his dealings with a group of Lakota . Developed by director/star Kevin Costner over five years, with a budget of only $18 million, the film has high production values and won 7 Academy Awards including Best Picture and the Golden Globe Award for Best Motion Picture – Drama . Much of the dialogue is in the Lakota language with English subtitles. It was shot in South Dakota and Wyoming . In 2007, Dances with Wolves was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.” Plot The film opens during the American Civil War . In a United States Army field hospital , First Lieutenant John J. Dunbar (Kevin Costner ) learns that his injured leg is to be amputated . Seeing the plight of fellow soldiers with amputated legs, Dunbar leaves the hospital, steals a cavalry horse, and attempts suicide by riding across the no man’s land between the opposing Union and Confederate positions. His action unexpectedly rallies the Union soldiers, who storm the Confederate defenses to win the battle. Impressed by Dunbar’s actions, the commanding general of the Union forces, Major General Tide (Donald Hotton), summons his personal surgeon to save Dunbar’s leg. Tide declares Dunbar to be a hero and awards him Cisco, the horse who carried him in battle as well as offering Dunbar his choice of posting . Dunbar |
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Andrei Tarkovsky $23.73 ANDREI TARKOVSKY: POCKET GUIDEA new pocket guide to Russian filmmaker Andrei Tarkovsky (1932-1986), director of seven feature films, including Mirror, Andrei Roublyov, Solaris and The Sacrifice. ?This book explores every aspect of Andrei Tarkovsky’s output, including scripts, budget, production, shooting, editing, camera, sound, music, acting, themes, symbols, motifs, and spirituality. Tarkovsky’s films are analyzed in depth, with scene-by-scene discussions. Fully illustrated. Andrei Tarkovsky is one of the most fascinating of filmmakers. He is supremely romantic, an old-fashioned, traditional artist – at home in the company Leonardo da Vinci, Pieter Brueghel, Aleksandr Pushkin, Fyodor Dostoievsky andByzantine icon painters. Tarkovsky is a magician, no question, but argues for demystification (even while films celebrate mystery). His films are full of magical events, dreams, memory sequences, multiple viewpoints, multiple time zones and bizarre occurrences. As genre films, Andrei Tarkovsky’s movies are some of the most accomplished in cinema. As science fiction films, Stalker and Solaris have no superiors, and very few peers. Only the greatest sci-fi films can match them: Metropolis, King Kong, Close Encounters of the Third Kind and 2001: A Space Odyssey. Tarkovsky happily and methodically rewrote the rules of the sci-fi genre: Stalker and Solaris are definitely not routine genre outings. They don’t have the monsters, the aliens, the visual effects, the battles, the laser guns, the stunts and action set-pieces of regular science fiction movies. No one could deny that Andrei Roublyov is one of the greatest historical films to explore the Middle Ages, up there with The Seventh Seal, El Cid, The Navigator and Pier Paolo Pasolini’s ‘Life’ trilogy. If you judge Andrei Roublyov in terms of historical accuracy, epic spectacle, serious themes, or cinematic poetry, it comes out at the top. Finally, in the religious film genre, The |
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Babylon 5 $14.14 Kapitel: Völker Und Gruppierungen Im Babylon-5-Universum, Liste Der Babylon-5-Episoden, Figuren Der Fernsehserie Babylon 5, J. Michael Straczynski, Legende Der Ranger, Crusade, Babylon 5: Der Erste Schritt, Babylon 5: Waffenbrüder, Babylon 5: Der Fluss Der Seelen, Babylon 5: Das Tor Zur 3. Dimension. Aus Wikipedia. Nicht dargestellt. Auszug: Babylon 5 is an American science fiction television series created, produced and largely written by J. Michael Straczynski. The show centers on the Babylon 5 space station: a focal point for politics, diplomacy, and conflict during the years 2257-2262. With its prominent use of planned story arcs, the series was often described as a “novel for television”. The pilot film premiered on February 22, 1993. The regular series aired from January 26, 1994 and ran for five full seasons. The show spawned six television films and a spin-off series, Crusade, which aired in 1999 and ran for thirteen episodes. On July 31, 2007, a DVD was released containing two short films about selected characters from the series. Having worked on a number of television science fiction shows which had regularly gone over budget, creator J. Michael Straczynski concluded that a lack of long-term planning was to blame, and set about looking at ways in which a series could be done responsibly. Taking note of the lessons of mainstream television, which brought stories to a centralised location such as a hospital, police station, or law office, he decided that instead of ” in search of new worlds, building them anew each week,” a fixed space station setting would keep costs at a reasonable level. A fan of sagas such as the Foundation series, Childhood’s End, The Lord of the Rings, and Dune, Straczynski wondered why no one had done a television series with the same epic sweep, and concurrently with the first idea started developing the concept for a vastly-ambitious epic covering massive battles and other universe-changing |
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Best Western Movies: Winning Pictures, Favorite Films And Hollywood B Entries $19.95 This grab-bag of movie westerns ranges from the best to the worst; from lavish, no-expense-spared Cecil B. DeMille epics to Poverty Row double bills; from big-budget John Wayne vehicles like “In Old Oklahoma”, “The War Wagon” and “The Fighting Kentuckian” to the sort of bottom-drawer product delivered by Sherman Scott and Monogram; from prestige, star-studded westerns like “My Darling Clementine” and “How the West Was Won” to the depths of “The Toughest Man in Arizona”; from the expertly crafted, super-popular “B” stables of Gene Autry, William Boyd, Roy Rogers, Charles Starrett and company to the fly-by-night efforts of long-forgotten brands like “The Range Busters.” All reviews carry detailed credits. The book is rounded out with a Hopalong Cassidy filmography and many reproductions of original film posters. |
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Bigger Than Life $24.99 Hardcore porn – both the straight and gay varieties – entered mainstream American culture in the 1970s as the sexual revolution swept away many of the cultural inhibitions and legal restraints on explicit sexual expression. The first porn movie ever to be reviewed by Variety, the entertainment industry’s leading trade journal, was Wakefield Poole’s Boys in the Sand (1971), a sexually-explicit gay movie shot on Fire Island with a budget of $4000. Moviegoers, celebrities and critics – both gay and straight – flocked to see Boys in the Sand when it opened in mainstream movie theaters in New York, Los Angeles and San Francisco. Within a year, Deep Throat, a heterosexual hardcore feature opened to rave reviews and a huge box office – exceeding that of many mainstream Hollywood features. Almost all of those involved in making “commercial” gay pornographic movies began as amateurs in a field that had virtually never existed before, either as art or commerce. Many of their “underground” predecessors had repeatedly suffered arrest and other forms of legal harassment. There was no developed gay market and any films made commercially were shown in adult x-rated theaters. After the Stonewall riots and the emergence of the gay liberation movement in 1969, a number of entrepreneurs began to make gay adult movies for the new mail order market. The gay porn film industry grew dramatically during the next thirty years and transformed the way men – gay men in particular – conceived of masculinity and their sexuality. Bigger Than Life tells that story. |
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Bigger Than Life: The History of Gay Porn Cinema from Beefcake to Hardcore $24.95 Hardcore porn—both the straight and gay varieties—entered mainstream American culture in the 1970s as the sexual revolution swept away many of the cultural inhibitions and legal restraints on explicit sexual expression. The first porn movie ever to be reviewed by Variety, the entertainment industry’s leading trade journal, was Wakefield Poole’s Boys in the Sand (1971), a sexually-explicit gay movie shot on Fire Island with a budget of $4000. Moviegoers, celebrities and critics—both gay and straight—flocked to see Boys in the Sand when it opened in mainstream movie theaters in New York, Los Angeles and San Francisco. Within a year, Deep Throat, a heterosexual hardcore feature opened to rave reviews and a huge box office—exceeding that of many mainstream Hollywood features.Almost all of those involved in making “commercial” gay pornographic movies began as amateurs in a field that had virtually never existed before, either as art or commerce. Many of their “underground” predecessors had repeatedly suffered arrest and other forms of legal harassment. There was no developed gay market and any films made commercially were shown in adult x-rated theaters. After the Stonewall riots and the emergence of the gay liberation movement in 1969, a number of entrepreneurs began to make gay adult movies for the new mail order market. The gay porn film industry grew dramatically during the next thirty years and transformed the way men—gay men in particular—conceived of masculinity and their sexuality. Bigger Than Life tells that story. |
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Birth of the Blues/Blue Skies $14.98 Two classic Bing Crosby films, BIRTH OF BLUES and BLUE SKIES, on one DVD.BIRTH OF THE BLUES: As a child, Jeff Lambert (Bing Crosby) hangs out in New Orleans’ Basin Street, playing hot swing on his clarinet instead of the classics his father prefers. He’s inspired by an African-American group there and, some years later, at the turn of the century, sets out to form a jazz band of his own. With cornetist Memphis (Brian Donlevy), singer Betty Lou Cobb (Mary Martin) and trombonist Jack Teagarden (of the Original Dixieland Jazz Group, after which the story is patterned), he’s on his way.A veritable history of jazz follows. From jump and jive to sweet romanticism, half a century of popular hits is given spectacular treatment. By the Light of the Silvery Moon is sung in a theatre with lantern slides on the screen. Singer Ruby Elzy’s St. Louis Blues is backed by a chorus of eighty. And Wait Till the Sun Shines, Nellie brings Crosby and Martin together in a knockout duet. This bright, bouncy musical is as spirited as they come, and it features Bing and Mary at their best. (Louella O. Parsons, Los Angeles Examiner)BLUE SKIES: For what Fred Astaire had announced would be his last film, no expense was spared. This musical extravaganza boasts 30 Irving Berlin songs, 47 sets, sumptuous costumes, and a budget of $3,000,000. The result is sensational. (And fortunately, Astaire did not retire from films!)Dancing star Jed Potter (Astaire) and singer/nightclub owner Johnny Adams (Bing Crosby) are both in love with songstress Mary O’Hara (Joan Caulfield). She marries Johnny, but his passion for buying and selling nightclubs drives them apart. So Jed steps in, hoping to win Mary’s heart – until fate steps in and changes the lives of all three.The most outstanding number is Astaire’s famous Puttin’ on the Ritz, a split-screen gem with a chorus of miniature Astaires tap-dancing behind him. Designed by Astaire, it took five weeks of back-b |
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British Horror Cinema $35.7 New – From no-budget to the Hammer studio, “British Horror Cinema” investigates a wealth of horror films including classics such as Peeping Tom and “The Wicker Man.” Contributors consider the Britishness of British horror and address issues of censorship, the representation of family and of women. They also examine sub-genres such as the portmanteau horror film, and the work of key filmmakers including John Gilling and Peter Walker. |
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British Horror Cinema $120.25 New – From no-budget to the Hammer studio, “British Horror Cinema” investigates a wealth of horror films including classics such as Peeping Tom and “The Wicker Man.” Contributors consider the Britishness of British horror and address issues of censorship, the representation of family and of women. They also examine sub-genres such as the portmanteau horror film, and the work of key filmmakers including John Gilling and Peter Walker. |
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British Horror Cinema $114.77 Used – From no-budget to the Hammer studio, British Horror Cinema investigates a wealth of horror films including classics such as Peeping Tom and The Wicker Man. Contributors consider the Britishness of British horror and address issues of censorship, the representation of family and of women. They also examine sub-genres such as the portmanteau horror film, and the work of key filmmakers including John Gilling and Peter Walker. |
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British Horror Cinema $16.04 Used – From no-budget to the Hammer studio, “British Horror Cinema” investigates a wealth of horror films including classics such as Peeping Tom and “The Wicker Man.” Contributors consider the Britishness of British horror and address issues of censorship, the representation of family and of women. They also examine sub-genres such as the portmanteau horror film, and the work of key filmmakers including John Gilling and Peter Walker. |
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British Horror Cinema $136 From no-budget to the Hammer studio, British Horror Cinema investigates a wealth of horror films including classics such as Peeping Tom and The Wicker Man. Contributors consider the Britishness of British horror and address issues of censorship, the representation of family and of women. They also examine sub-genres such as the portmanteau horror film, and the work of key filmmakers including John Gilling and Peter Walker. |
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Canadian Science Fiction Films (Study Guide) $31.4 Purchase includes free access to book updates online and a free trial membership in the publisher’s book club where you can select from more than a million books without charge. Chapters: Johnny Mnemonic, the X-Files, Screamers, Cube, Food for the Gods, Scanners, Cube 2: Hypercube, Videodrome, Existenz, the Final Cut, Dans une Galaxie Près de Chez Vous, Nothing, Watchers, Splice, Scanners Ii: the New Order, Cube Zero, Plague, Cypher, the Brood, the Pink Chiquitas, Starship Invasions, Stereo, the Brain, Def-Con 4, Xtro Ii: the Second Encounter, Possible Worlds, Xchange. Excerpt: Cube Cube is a 1997 Canadian psychological thriller directed by Vincenzo Natali . The film was a successful product of the Canadian Film Centre ‘s First Feature Project. Despite its low budget, the film achieved moderate commercial success and has acquired cult status . Much of the film’s appeal lies in its surreal, Kafkaesque settings no extensive attempt is made to explain what the cube in which the characters are confined is, why it is created, or how the “inmates” were selected. Although the world “outside” is referred to, it is presented in an extremely abstract fashion either a dark void or a bright white light. Plot summary The film opens with a man waking up in a cube-shaped room with six hatch doors, one at the center of each wall, one on the ceiling and one on the floor. He begins to open doors and looks in to find rooms that differ from the one he is in only by color. He goes into an amber colored room and suddenly gets cut into large cubes by a metal grill that goes through him, which comes into view and folds up into the ceiling. In another room Quentin, Worth, Holloway, Rennes and Leaven come together. None of them know where they are, how they got there, or why they are there, so they decide to try and find a way out together. Quentin already knows that some rooms contain traps. He initially assumes that the rooms contain motion detectors , so he |
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Color Sequels Of Black And White Films (Study Guide) $8.87 Purchase includes free access to book updates online and a free trial membership in the publisher’s book club where you can select from more than a million books without charge. Excerpt: Dawn of the Dead (also known as Zombi internationally) is a 1978 zombie film, written and directed by George A. Romero. It was the second film made in Romero’s Living Dead series, but contains no characters or settings from its predecessor, and shows in larger scale a zombie epidemic’s apocalyptic effects on society. In the film, a pandemic of unknown origin has caused the reanimation of the dead, who prey on human flesh, which subsequently causes mass hysteria. The cast features David Emge, Ken Foree, Scott H. Reiniger and Gaylen Ross as survivors of the outbreak who barricade themselves inside a suburban shopping mall. Dawn of the Dead was shot over approximately four months, from late 1977 to early 1978, in the Pennsylvania cities of Pittsburgh and Monroeville. Its primary filming location was the Monroeville Mall. The film was made on a relatively modest budget estimated at $650,000 US, and was a significant box office success for its time, grossing an estimated $55 million worldwide. Since opening in theaters in 1978, and despite heavy gore content, reviews for the film have been nearly unanimously positive. Cultural and film historians read significance into the film’s plot, linking it to critiques of large corporations as well as American consumerism and of the social decadence and the social and commercial excess present in America during the late 1970s. In 2008, Dawn of the Dead was chosen by Empire magazine as one of The 500 Greatest Movies of All Time, along with its predecessor, Night of the Living Dead. In addition to four official sequels, the film has spawned numerous parodies and pop culture references. A remake of the movie premiered in the United States on March 19, 2004. It was labeled a “re-imagining” of the original film’s… More: |
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Devil Boys From Beyond $8.95 Winner! 2009 FringeNYC Overall Excellence Award for Outstanding Play!Nominee! 2010 GLAAD Award for Outstanding New York Theater: Off-Off Broadway!Comedy Characters: 4m, 4f (all female roles can be played by men in drag)Unit Set Flying Saucers! Backstabbing Bitches! Muscle Hunks and Men in Pumps! Wake up and smell the alien invasion in this outrageous comedy by the author of the off-Broadway hit play, Crumple Zone”***** [FIVE STARS]! Buddy Thomas’s deliriously campy sci-fi spoof-one of the most entertaining shows I have ever seen at the Fringe Festival-is naughty, gleeful fun…The show opens a fabulous portal to the past: not just the paranoid world of the 1950s, but the legendary drag romps of Charles Ludlam’s Ridiculous Theatrical Company and Charles Busch’s Theatre-in-Limbo from the 1960s through the 1980s. Devil Boys from Beyond is a necklace of golden links to that wild theatrical tradition. If there were any justice in this mixed-up world of ours, the whole show would be tractor-beamed Off Broadway tomorrow.” -Adam Feldman, Time Out New York”Cheap in all the right ways, the fast, taw dry and very funny Devil Boys From Beyond is the Fringe Festival at its best.” -New York Post”The larger-than-life homage to leading ladies and low-budget sci-fi films of the ’50s…The audience’s enthusiastic reception…guaranteed you’ll laugh your anal probe off.” -NYTheatre.com”Devil Boys From Beyond is how a no-budget show should be done…an uproarious homage to C-movies and the golden age of camp!”-Backstage |
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Evil Dead Companion $18.99 Don’t you see, Ash, they’re alive! In the dank cellar of a dilapidated cabin tucked away in a great forest, there is a book, bound in human skin, and filled with incantations writ in blood. To read the words therein is to release a hideously unspeakable force… The Evil Dead Rigorously made on an almost absent budget in the backwoods of Tennessee, the film was a phenomenal success – the true definition of “cult film” — launching the careers of its director, Sam Raimi; producer, Bob Tapert; and star, Bruce Campbell. It also spawned two deliriously different and wildly inventive sequels, The Evil Dead II: Dead by Dawn and Army of Darkness, which have won over legions of fright-fans around the globe. At last, acclaimed film critic Bill Warren takes us on a no-holds-barred behind-the-scenes tour of the making of the three films, including exclusive interviews with key cast and crew; rare and previously unpublished photographs, storyboards, and concept sketches; harrowing tales of hardship, discomfort, and practical jokes; and much more. Enough to keep any puss-oozing deadite drooling through the night. Join us! |
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Extreme DV at Used-Car Prices: How to Write, Direct, Shoot, Edit, and Produce a Digital Vid[continued] Than $3,000 $0.99 New – For years, award-winning independent filmmaker Rick Schmidt has been teaching aspiring writers, directors, and producers how to make “no-budget” films, both in workshops and in his classic guide, Feature Filmmaking at Used-Car Prices. Now Schmidt shows how it is easier–and cheaper–than ever to make an innovative, high quality work, thanks to digital video. Filled with the latest information on equipment and software, ideas for experimenting with new techniques, and advice based on Schmid |
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Extreme Digital Video at Used-Car Prices: How to Write, Direct, Shoot, Edit, and Produce a Digital Video Feature for Less than $3,000 $5.99 For years, award-winning independent filmmaker Rick Schmidt has been teaching aspiring writers, directors, and producers how to make “no-budget” films, both in workshops and in his classic guide, Feature Filmmaking at Used-Car Prices. Now Schmidt shows how it is easier—and cheaper—than ever to make an innovative, high quality work, thanks to digital video. Filled with the latest information on equipment and software, ideas for experimenting with new techniques, and advice based on Schmidt’s own experiences, Extreme DV at Used-Car Prices offers a step-by-step tour through the making of a feature- length movie using the newest and ever-changing DV technology. Instructive and inspiring, this one-of-a-kind book is essential for filmmakers with lots of ideas but little money. |
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Extreme Digital Video at Used-Car Prices: How to Write, Direct, Shoot, Edit, and Produce a Digital Video Feature for Less than $3,000 $0.99 For years, award-winning independent filmmaker Rick Schmidt has been teaching aspiring writers, directors, and producers how to make “no-budget” films, both in workshops and in his classic guide, Feature Filmmaking at Used-Car Prices. Now Schmidt shows how it is easier—and cheaper—than ever to make an innovative, high quality work, thanks to digital video. Filled with the latest information on equipment and software, ideas for experimenting with new techniques, and advice based on Schmidt’s own experiences, Extreme DV at Used-Car Prices offers a step-by-step tour through the making of a feature- length movie using the newest and ever-changing DV technology. Instructive and inspiring, this one-of-a-kind book is essential for filmmakers with lots of ideas but little money. |
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Extreme Dv at Used-Car Prices $0.49 For years, award-winning independent filmmaker Rick Schmidt has been teaching aspiring writers, directors, and producers how to make no-budget films, both in workshops and in his classic guide, Feature Filmmaking at Used-Car Prices. Now Schmidt shows how it is easier–and cheaper–than ever to make an innovative, high quality work, thanks to digital video. Filled with the latest information on equipment and software, ideas for experimenting with new techniques, and advice based on Schmidt’s own experiences, Extreme DV at Used-Car Prices offers a step-by-step tour through the making of a feature-length movie using the newest and ever-changing DV technology. Instructive and inspiring, this one-of-a-kind book is essential for filmmakers with lots of ideas but little money. |
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Fifty Years of Carry on $11.88 New – In August 1958, the opening scenes of a low-budget black and white film flickered onto cinema screens up and down the country. No one could have foreseen what impact “Carry on Sergeant” would have then and in the future. Not only did it become one of the top three grossing films for that year, it also kick started the longest running and most successful comedy series of all time. Here, for the very first time, is the essential biography of this most treasured institution in the world of Br |
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Film & Video Budgets $115.89 This classic best selling book has been updated to include new budgets for digital video feature films, a no budget feature, and the all-important digital video transfer to 35mm for theatrical release. |
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Film & Video Budgets $105.09 New – This classic best selling book has been updated to include new budgets for digital video feature films, a no budget feature, and the all-important digital video transfer to 35mm for theatrical release. |
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Film & Video Budgets $105.94 New – This classic best selling book has been updated to include new budgets for digital video feature films, a no budget feature, and the all-important digital video transfer to 35mm for theatrical release. |
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Film & Video Budgets $2.99 Used – This classic best selling book has been updated to include new budgets for digital video feature films, a no budget feature, and the all-important digital video transfer to 35mm for theatrical release. |
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Film Genre Introduction: Documentary Film Festivals, Mob Film, Cinema of Luxembourg, Mental Illness in Film, Latin American Cinema, Videodance $26.53 Purchase includes free access to book updates online and a free trial membership in the publisher’s book club where you can select from more than a million books without charge. Chapters: Documentary Film Festivals, Mob Film, Cinema of Luxembourg, Mental Illness in Film, Latin American Cinema, Videodance, Romance Film, Cinema of Ukraine, Cinema of Lithuania, Cinema of the Czech Republic, Cinema of Bulgaria, Rape and Revenge Films, Chick Flick, Travelogue, Hood Film, Buddy Film, Amateur Film, Comedy Horror, Found Footage, Chicano Films, Structural Film, Cinema of Montenegro, Bad Girl Movies, Punk Film, Japanese Cyberpunk, Fictional Film, Partisan Film, Heimatfilm, Wire Fu, Cinema of Peru, Educational Film, No Wave Cinema, Mafia Comedy, Golden Age of the Western, Film Series, Training Film, Slapstick Film, Cinema of Georgia, Oceanian Cinema, Telefoni Bianchi, Tendency Film, Horror-Of-Personality, Erotic Thriller, Highlight Film, Heritage Film, List of Religion Films, Metafilm, List of Punk Filmmakers, Female Buddy Film, Rubble Film, Kurdish Cinema, Day in the Life Of, Chopsocky, Colonial Cinema, Calligraphism, Soviet Parallel Cinema, Sex Report Film, Prison Film. Excerpt: Amateur Film is the low-budget hobbyist art of film practiced for passion and enjoyment and not for business purposes. Organizations The international organization for amateur film makers is UNICA (Union International du Cinema Non Professionel); in the United States the American Motion Picture Society (AMPS), in Canada the Society of Canadian Cine Amateurs (SCCA),in the UK it is the Film |
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Film Series With Two Entries: Hulk $8.31 Purchase includes free access to book updates online and a free trial membership in the publisher’s book club where you can select from more than a million books without charge. Excerpt: The Hulk film series consists of two superhero films based on the fictional Marvel Comics character of the same name, portrayed by Eric Bana in Hulk and Edward Norton in The Incredible Hulk. The rights to a motion picture based on Hulk were purchased in 1990. Both films were produced by Universal’s production. Universal keeps the returned of Ang Lee to direct the Hulk with Eric Bana in the lead of film cast. In 2003, Lee returned to Hollywood to direct Hulk, his first big-budget movie. Reception was mixed from both the critics and audience and became a moderate success at the box office. After the setback, Lee considered retiring early, but his father encouraged him to continue making movies. After Hulk did not meet Universal’s expectation, screenwriter James Schamus was planning a sequel, featuring the Gray Hulk, it came true as The Incredible Hulk, with Edward Norton as Hulk and all the cast set in Hulk was totally different with the cast in The Incredible Hulk. The Hulk film series started with Hulk in 2003 rebooted as The Incredible Hulk in 2008 and planned to become trilogy with another sequel of The Incredible Hulk. Producers Avi Arad and Gale Anne Hurd started the development for Hulk in 1990. Hurd explained the Hulk became her favorite superhero as a child because “When girls are growing up, they’re the ones who are picked on. I had an older brother, and there’s no way that you could ever really fight back. So, to me, the Hulk was wish fulfillment.” By December 1992 Marvel Studios was in discussions with Universal Pictures. Michael France and Stan Lee were invited into Universal’s offices in 1994, with France writing the script. Universal’s concept was to have the Hulk battle terrorists, an idea France disliked. John Turman, a Hulk … More: |
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Films Directed By Emile Ardolino (Study Guide) $9.8 Purchase includes free access to book updates online and a free trial membership in the publisher’s book club where you can select from more than a million books without charge. Excerpt: Dirty Dancing is a 1987 romantic film made in the United States. Written by Eleanor Bergstein and directed by Emile Ardolino, the film features Patrick Swayze, Jennifer Grey, Cynthia Rhodes, and Jerry Orbach. The story is a coming of age drama that documents a teenaged woman’s rebellion against her father by starting a relationship with a dance instructor during a family summer vacation. Almost a third of the film involves dancing scenes choreographed by Kenny Ortega (later famous for High School Musical), and the finale has been described as “the most goosebump-inducing dance scene in movie history”. Originally a low-budget film by a new studio and with no major stars (except Broadway legend Orbach), Dirty Dancing became a massive box office hit. As of 2009 , it earned over $214 million worldwide. It was the first film to sell more than a million copies on home video, and the Dirty Dancing soundtrack generated two multi-platinum albums and multiple singles, including “(I’ve Had) The Time of My Life”, which won both the Golden Globe and Academy Award for Best Original Song, and a Grammy Award for best duet. The film spawned a 2004 prequel, Dirty Dancing: Havana Nights, as well as a stage version which has had sellout performances in Australia, Europe, and North America, with plans to open on Broadway. In the summer of 1963, 17-year-old New Yorker Frances “Baby” Houseman (Jennifer Grey) is vacationing with her affluent Jewish family at Kellerman’s, a resort in the Catskill Mountains. Baby is planning to attend Mount Holyoke College to study economics of underdeveloped countries and then enter the Peace Corps. She was named after Frances Perkins, the first woman in the U.S. Cabinet. Baby’s father, Jake (Jerry Orbach), is the personal physician … More: |
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Films Directed By James Cameron (Study Guide) $23.6 Purchase includes free access to book updates online and a free trial membership in the publisher’s book club where you can select from more than a million books without charge. Chapters: Titanic, the Terminator, Terminator 2: Judgment Day, True Lies, the Abyss, Avatar, Aliens, Piranha Ii: the Spawning, Ghosts of the Abyss, Aliens of the Deep, List of James Cameron Films. Excerpt: Aliens is a 1986 science fiction action film directed by James Cameron and starring Sigourney Weaver , Carrie Henn , Michael Biehn , Lance Henriksen , and Bill Paxton . A sequel to the 1979 film Alien , Aliens is set fifty-seven years after the first film and is regarded by many film critics as a benchmark for the action and science fiction genres. In Aliens , Weaver’s character Ellen Ripley returns to the planet LV-426 where she first encountered the hostile Alien . This time she is accompanied by a unit of Colonial Marines.Aliens ‘ action-adventure tone was in contrast to the horror motifs of the original Alien . Following the success of The Terminator (1984), which helped establish Cameron as a major action director, 20th Century Fox greenlit Aliens with a budget of approximately $18 million. It was filmed in England at Pinewood Studios , and at a decommissioned power plant .Aliens earned $86 million in the United States box office during its 1986 theatrical release and $131 million internationally. The movie was nominated for seven Academy Awards , including a Best Actress nomination for Sigourney Weaver. It won in the categories of Sound Effects Editing and Visual Effects .Plot Ellen Ripley (Sigourney Weaver ), the only survivor of the space freighter Nostromo , is rescued and revived after drifting for fifty-seven years in hypersleep . At an interview before a panel of executives from her employer, the Weyland-Yutani Corporation , her testimony regarding the Alien is met with extreme skepticism as no physical evidence of the creature survived the destruction of |
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Films Directed By John Woo (Study Guide) $23.6 Purchase includes free access to book updates online and a free trial membership in the publisher’s book club where you can select from more than a million books without charge. Chapters: A Better Tomorrow, Red Cliff, Hard Boiled, Hard Target, the Hire, Face/off, Mission: Impossible Ii, All the Invisible Children, the Killer, Windtalkers, Broken Arrow, Paycheck, a Better Tomorrow 2, Bullet in the Head, Once a Thief, Hand of Death, Just Heroes, Heroes Shed No Tears, Once a Thief, Fist to Fist. Excerpt: A Better Tomorrow A Better Tomorrow (Chinese: ; Pinyin : Y ngxióng b nsè; Jyutping : Jing1 hung4 bun2 sik1; literally True Colors of a Hero ) is a 1986 Hong Kong action film which had a profound influence on the Hong Kong movie-making industry, and later on an international scale . Directed by John Woo , it stars Chow Yun-Fat , Ti Lung and Leslie Cheung . Although the movie was made with a tight budget and was relatively unknown until it went on screen due to virtually no advertising, it broke Hong Kong ‘s box office record and went on to become a blockbuster in Asian countries. The success also ensured the sequel A Better Tomorrow 2 , also directed by Woo, and A Better Tomorrow 3: Love |
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Films Directed By K Ji Wakamatsu (Study Guide) $8.78 Purchase includes free access to book updates online and a free trial membership in the publisher’s book club where you can select from more than a million books without charge. Chapters: Go, Go Second Time Virgin, Caterpillar, United Red Army, Violated Angels, the Embryo Hunts in Secret, Ecstasy of the Angels, Secrets Behind the Wall. Excerpt: Go, Go, Second Time Virgin Yuke yuke nidome no shojo) is a 1969 Japanese film by Kji Wakamatsu. Acclaimed filmmaker Takeshi Kitano made his film debut as an extra. Poppo, a teenage girl, is raped by four boys on the roof of a seven-story apartment building. She asks them to kill her, but they mock her and leave. Tsukio, a teenage boy, has been watching the rape passively. Over the next couple days, Poppo and Tsukio begin a relationship, telling each other of their troubled past and philosophizing about their fate. Poppo describes earlier rapes, which are shown in flashback. In a color flashback, Tsukio tells of his own recent sexual abuse at the hands his parents and another couple, all of whom he has stabbed to death. Poppo repeatedly asks Tsukio to kill her, but he refuses. When the gang returns and again rapes Poppo, Tsukio kills each of them and their three girlfriends. While he is doing this, Poppo follows him complaining that he refuses her request, yet is killing the gang. The story ends with Poppo and Tsukio both jumping off the apartment roof to their deaths. Kji Wakamatsu had worked for Nikkatsu studios between 1963 and 1965, and directed 20 exploitation films during that time. When his Pink film, Skeleton in the Closet ( – Kabe no naka no hibegoto) (also known as Secret Acts within Four Walls) (1965) ran afoul of the government, and the studio did not support him, Wakamatsu quit Nikkatsu to form his own production company. His independent films of the late 1960s were very low-budget, but often artistically done works, usually concerned with sex and extreme violence mixed w… More: |
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Films Directed By Kevin Costner (Study Guide) $10.84 Purchase includes free access to book updates online and a free trial membership in the publisher’s book club where you can select from more than a million books without charge. Chapters: Dances With Wolves, Waterworld, the Postman, Open Range. Excerpt: Dances with Wolves Dances with Wolves is a 1990 American epic western film based on the book of the same name which tells the story of a Civil War-era United States Army lieutenant who travels to the American frontier to find a military post, and his dealings with a group of Lakota . Developed by director/star Kevin Costner over five years, with a budget of only $18 million, the film has high production values and won 7 Academy Awards including Best Picture and the Golden Globe Award for Best Motion Picture – Drama . Much of the dialogue is in the Lakota language with English subtitles. It was shot in South Dakota and Wyoming . In 2007, Dances with Wolves was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.” Plot The film opens during the American Civil War . In a United States Army field hospital , First Lieutenant John J. Dunbar (Kevin Costner ) learns that his injured leg is to be amputated . Seeing the plight of fellow soldiers with amputated legs, Dunbar leaves the hospital, steals a cavalry horse, and attempts suicide by riding across the no man’s land between the opposing Union and Confederate positions. His action unexpectedly rallies the Union soldiers, who storm the Confederate defenses to win the battle. Impressed by Dunbar’s actions, the commanding general of the Union forces, Major General Tide (Donald Hotton), summons his personal surgeon to save Dunbar’s leg. Tide declares Dunbar to be a hero and awards him Cisco, the horse who carried him in battle as well as offering Dunbar his choice of posting . Dunbar requests a transfer to the western frontier and soon after his leg heals |
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Films Directed By Nanni Moretti (Study Guide) $8.96 Purchase includes free access to book updates online and a free trial membership in the publisher’s book club where you can select from more than a million books without charge. Chapters: Il Caimano, Caro Diario, Bianca, the Son’s Room, April, Ecce Bombo, Opening Day of Close-Up, I Am Self Sufficient, La Messa È Finita. Excerpt: Il Caimano (English: , referring to the caiman) is an Italian comedy-drama movie released in 2006, directed by Nanni Moretti and featuring Silvio Orlando and Margherita Buy. Focusing on Silvio Berlusconi’s vicissitudes, it was released just before the beginning of the Italian general election, 2006, in which Berlusconi lost. It was one of the most successful films of 2006 in Italy. It was entered into the 2006 Cannes Film Festival. Opening with a wedding between two young Communists, officiated by a CP functionary, under the poster of Mao-Tse Tung, the bride suddenly spears the man and escapes, chased by the police. This is the end of ‘Cataratte’, a 10-years old action B-movie projected in an open air cinema in honor of Bruno Bonomo (Silvio Orlando), a cockeyed film producer, who did some trash movies starring his wife Paola (Margherita Buy) in the 1970s. He also has two young sons loved by him and his wife. During this hommage, a young woman presents him the script of a movie she wants to direct with his help. Slated to start on a project celebrating the return voyage of Columbus just after his discovery of America, Bruno is stunned when his director, Franco Caspio, quits because of the low budget. Suddenly Bruno has no projects, no financing and no leverage. Added to his many troubles, Bruno’s wife asks for a separation even though they have two sons. She wants to pursue her artistic options. Bruno reads the offered script and realizes that it’s a thinly disguised account of Silvio Berlusconi, the Italian media magnate who promoted his political career through his TV stations. Knowing this could dr… More: |
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Films Directed By Roger Corman (Study Guide) $14.13 Purchase includes free access to book updates online and a free trial membership in the publisher’s book club where you can select from more than a million books without charge. Chapters: The Pit and the Pendulum, the Little Shop of Horrors, a Bucket of Blood, Creature From the Haunted Sea, the Haunted Palace, Tales of Terror, Von Richthofen and Brown, the Wild Angels, House of Usher, the St. Valentine’s Day Massacre, Frankenstein Unbound, X, the Intruder, the Masque of the Red Death, Last Woman on Earth, the Terror, the Raven, It Conquered the World, the Wasp Woman, the Tomb of Ligeia, the Trip, the Premature Burial, Attack of the Crab Monsters, the Undead, Gunslinger, the Secret Invasion, Teenage Cave Man, Gas-S-S-S, She Gods of Shark Reef, Rock All Night, Not of This Earth, Day the World Ended, Swamp Women, Tower of London, Sorority Girl. Excerpt: A Bucket of Blood A Bucket of Blood is a 1959 American comedy horror film directed by Roger Corman , starring Dick Miller was set in beatnik culture. The film, produced on a $50,000 budget, was shot in five days, and shares many of the low-budget filmmaking aesthetics commonly associated with Corman’s work. Written by Charles B. Griffith , the film is a dark comic satire about a socially awkward young busboy at a Bohemian café who is acclaimed as a brilliant sculptor when he accidentally kills his landlady’s cat and covers its body in clay to hide the evidence. When he is pressured to create similar work, he becomes murderous . A Bucket of Blood was the first of three collaborations between Corman and Griffith in the comedy genre, followed by The Little Shop of Horrors and Creature from the Haunted Sea . Corman had made no previous attempt at the genre, although past and future Corman productions in other genres incorporated comedic elements. The film works as a satire not only of Corman’s own films, but also of the art world and teen films of the 1950s. The plot has similarities to Mystery of the Wax |
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Films Directed By Seijun Suzuki (Study Guide) $20.12 Purchase includes free access to book updates online and a free trial membership in the publisher’s book club where you can select from more than a million books without charge. Chapters: Branded to Kill, Zigeunerweisen, Everything Goes Wrong, Seijun Suzuki Filmography, Kanto Wanderer, Story of a Prostitute, Pistol Opera, Fighting Elegy, Tokyo Drifter, Gate of Flesh, Lupin Iii: Legend of the Gold of Babylon, Princess Raccoon, Yumeji, Kagero-Za, Go to Hell, Hoodlums!, the Bastard, Tattooed Life, Detective Bureau 23: Go to Hell, Bastards!, Underworld Beauty, Our Blood Will Not Forgive, Voice Without a Shadow, Stories of Bastards: Born Under a Bad Star, Victory Is Mine, Carmen From Kawachi, Capone Cries a Lot, Man With a Shotgun, Youth of the Beast, the Flower and the Angry Waves, Young Breasts, a Tale of Sorrow and Sadness, the Naked Woman and the Gun, Eight Hours of Terror. Excerpt: A Tale of Sorrow and Sadness A Tale of Sorrow and Sadness ( , Hish monogatari ? ) is a 1977 Japanese film directed by Seijun Suzuki . Websites (URLs online) A hyperlinked version of this chapter is at Branded to Kill Branded to Kill ( , Koroshi no rakuin ? ) is a 1967 Japanese yakuza film directed by Seijun Suzuki and starring Joe Shishido , Koji Nanbara , Annu Mari and Mariko Ogawa . It was a low budget, production line number for the Nikkatsu Company, originally released in a double bill with Sh gor Nishimura’s Burning Nature . The story follows Goro Hanada in his life as a contract killer. He falls in love with a woman named Misako, who recruits him for a seemingly impossible mission. When the mission fails, he becomes hunted by the phantom Number One Killer, whose methods threaten his sanity as much as his life. The studio was unhappy with the original script and called in Suzuki to rewrite and direct it at the last minute. Suzuki came up with many of his ideas the night before or on the set while filming , and welcomed ideas from his collaborators. He gave the |
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Films Directed By Steven Soderbergh (Study Guide) $14.14 Purchase includes free access to book updates online and a free trial membership in the publisher’s book club where you can select from more than a million books without charge. Chapters: Traffic, Erin Brockovich, Out of Sight, Ocean’s Thirteen, Ocean’s Eleven, Ocean’s Twelve, Sex, Lies, and Videotape, the Limey, Schizopolis, the Girlfriend Experience, Bubble, Solaris, Eros, King of the Hill, Full Frontal, Kafka, Gray’s Anatomy. Excerpt: Bubble Bubble is a movie directed by Steven Soderbergh . It was shot on high-definition video and was made for a relatively small budget of $1.6 million. It also featured some unusual production aspects. In traditional terms, the movie has no script . All lines were improvised according to an outline written by screenwriter Coleman Hough, who previously teamed with Soderbergh on Full Frontal . Bubble was also shot and edited by Soderbergh under the pseudonyms Peter Andrews and Mary Ann Bernard, respectively. The film utilizes non-professional actors recruited from the Parkersburg, West Virginia / Belpre, Ohio area where the film was shot. Lead Debbie Doebereiner was found working the drive-through window in a Parkersburg KFC , for example. Bubble was released simultaneously in movie theaters and on the cable/satellite TV network HDNet Movies on January 27, 2006. The DVD was released a few days later on January 31. It was nominated for Best Director for Steven Soderbergh at the 2007 Independent Spirit Awards . Bubble is the first of six films Soderbergh plans to shoot and release in the same manner. The score for the movie was composed by Ohio native Robert Pollard . Plot summary According to an Inc. Magazine article in January 2006, the film is a thriller that revolves around the murder of a young single mother who works at the “Lee Middelton” doll factory. The movie is about three people living along the Ohio River who are just barely able to make ends meet. The first character is Martha (Debbie Doebereiner), a portly |
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Films Directed By Vincenzo Natali (Study Guide) $9.43 Purchase includes free access to book updates online and a free trial membership in the publisher’s book club where you can select from more than a million books without charge. Excerpt: Cube is a 1997 Canadian psychological thriller directed by Vincenzo Natali. The film was a successful product of the Canadian Film Centre’s First Feature Project. Despite its low budget, the film achieved moderate commercial success and has acquired cult status. Much of the film’s appeal lies in its surreal, Kafkaesque settings no extensive attempt is made to explain what the cube in which the characters are confined is, why it is created, or how the “inmates” were selected. Although the world “outside” is referred to, it is presented in an extremely abstract fashion either a dark void or a bright white light. The film opens with a man named Alderson (Julian Richings) waking up in a cube-shaped room with six hatch doors – one at the center of each wall, one on the ceiling and one on the floor. He begins to open doors and examine each, to find rooms that differ from the one he is in only by color. Alderson goes into an amber colored room and suddenly gets cut into large cubes by a metal grill that goes through him, which comes into view and folds up into the ceiling. In another room Quentin (Maurice Dean Wint), Worth (David Hewlett), Holloway (Nicky Guadagni), Rennes (Wayne Robson), and Leaven (Nicole deBoer) meet. None of them know where they are, how they got there, or why they are there, so they decide to try and find a way out together. Rennes already knows that some rooms contain traps. He initially assumes that the rooms contain motion detectors, so he tests each room by throwing a boot into it before getting in. As they progress, Leaven notices series of numbers in the hatchways between the rooms. Soon after, Rennes jumps into a room previously tested with a boot but he is sprayed in the face with acid and is killed. The group decides t… More: |
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Films Set In Hong Kong (Study Guide) $33.1 Purchase includes free access to book updates online and a free trial membership in the publisher’s book club where you can select from more than a million books without charge. Chapters: Die Another Day, a Better Tomorrow, Love Is a Many-Splendored Thing, the Dark Knight, Rush Hour, You Only Live Twice, the Man With the Golden Gun, Hard Boiled, Aegan, Push, Rush Hour 2, Bloodsport, the Pillow Book, New Police Story, the Bucket List, Lara Croft Tomb Raider: the Cradle of Life, Police Story, Rush Hour, the Killer, Police Story 3, the World of Suzie Wong, a Better Tomorrow 2, Police Story 4: First Strike, Bullet in the Head, Spy Game, La Moustache, I Come With the Rain, the Bodyguard From Beijing, Pareni Maya Jalaima, Police Story 2, Chinese Box, List of Films Set in Hong Kong, True Women for Sale, Star Runner, Awarapan, Crime Story, Double Impact, Knock Off, King, Irreversi, Just Heroes, Forbidden Nights. Excerpt: A Better Tomorrow A Better Tomorrow (Chinese: ; Pinyin : Y ngxióng b nsè; Jyutping : Jing1 hung4 bun2 sik1; literally True Colors of a Hero ) is a 1986 Hong Kong action film which had a profound influence on the Hong Kong movie-making industry, and later on an international scale . Directed by John Woo , it stars Chow Yun-Fat , Ti Lung and Leslie Cheung . Although the movie was made with a tight budget and was relatively unknown until it went on screen due to virtually no advertising, it broke Hong Kong ‘s box office record and went on to become a blockbuster in Asian countries. The success also ensured the sequel A Better Tomorrow 2 , also directed by Woo, and A Better Tomorrow 3: Love |
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Films Shot In Jamaica (Study Guide) $9.71 Purchase includes free access to book updates online and a free trial membership in the publisher’s book club where you can select from more than a million books without charge. Excerpt: Dr. No (1962), starring Sean Connery, is the first James Bond film. Based on the 1958 Ian Fleming novel of the same name, it was adapted by Richard Maibaum, Johanna Harwood, and Berkely Mather. The film was directed by Terence Young, and produced by Harry Saltzman and Albert R. Broccoli, a partnership that would continue until 1975. In the film, James Bond is sent to Jamaica on an investigation into the death of a fellow British agent. The murder trail leads him to the underground base of Dr. Julius No, who is plotting to disrupt an early American manned space launch with a radio beam weapon. The film does not depict Bond earning his Double-0 status, which grants him a licence to kill; instead, it presents Bond as a seasoned veteran. Dr. No was produced with a low budget, but was a financial success, leading to a series of films that continues to this day. Dr. No also launched a successful genre of “secret agent” films that flourished in the 1960s. Many of the iconic aspects of a typical James Bond film were established in Dr. No, beginning with what is known as the gun barrel sequence. The film begins with an introduction to the character through the view of a gun barrel, and a highly stylized main title sequence, both created by Maurice Binder. In his work on film, production designer Ken Adam established a unique and expansive visual style that is the hallmark of the Bond film series. John Strangways (Tim Moxon), the British Intelligence Station Chief in Jamaica, is ambushed and killed by three assassins known as the “Three Blind Mice” while leaving a bridge game. As a result, MI6 agent James Bond (007) (Sean Connery) goes to the British Intelligence headquarters. There, Bond is briefed by his chief, “M” (Bernard Lee), with orders to inve… More: |
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Geek Maggot Bingo $19.95 A Nick Zedd film with three bonus short films. GEEK MAGGOT BINGO A mad doctor creates life, murderous prostitutes on the prowl, vampires terrorize the town and Richard Hell saves the day in this hilarious low-budget horror extravaganza that pulls no punches. – John Begley, Music Video Distributors ELF PANTIES Saint Rev. Jen stars in a monumental adaptation of one elf s fondest hopes and dreams while changing her dirty diapers. A delightful tour-de-farce, featuring poet, preacher, prophet, painter, literary giant, lady wrestler, patron saint of the uncool and voice of the downtrodden and tired, Saint Reverend Jen. THUS SPAKE ZARATHUSTRA The first and only cinematic adaptation of Nietzsche s masterpiece featuring original music by Fear of Dolls, Zyklon Beatles, Strangewalls, & Amniotic Miasma. Zarathustra announces the death of God and birth of a successor, the Superman, and describes his views on a variety of subjects during an encounter with a bunch of goths and club kids. LORD OF THE COCK RINGS Full-male nudity! Man-eating trees! Topless elves! Like a nursery school production of a Midsummer Night s Dream without a nursery school budget. Squalid, disgusting and totally trashy…an instant classic! – Anthony Hayden Guest How much fun…A real desecration of Tolkien…Defeats the entire concept of timeless fantasy. – J. Hoberman, Village Voice Includes exclusive interview with Geek Maggot Bingo cast and photo gallery. |
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Horror of the Blood Monsters $9.99 Perhaps the most flagrantly re-packaged and re-titled no-budget project from notorious schlockmeister Al Adamson, this goofy melange culls footage from no less than three separate films — including a Filipino caveman/monster movie (shot in black-and-white, then tinted fruity colors by Adamson) and the sci-fi flicks Unknown Island and One Million B.C.. If a plot can be detected amid this car crash of disassembled storylines, it might involve the efforts of a scientist (John Carradine) to send an expedition to a distant planet of space-vampires to halt their invasion of Earth. Once there, the astronauts don’t find any vampires, but they do come across legions of oversized iguanas and rowdy Filipino cavemen. Aside from the distinction of having distinguished cinematographer Vilmos Zsigmond behind the camera, this film holds some kind of record for the most re-titlings in movie history. ~ Cavett Binion, Rovi |
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Horror!: 333 Films to Scare You to Death $14.75 Used – Horror is one of the most popular and influential genres in cinema, a perennial favorite that just won’t stay dead. It is traditionally the province of adventurous, low-budget filmmakers, and the irreverence this encourages is part of its appeal, with taboo-busting swipes at everything from organized religion to the sanctity of family. It’s no wonder, then, that it has had a rough ride from the establishment. But the genre’s inventiveness and imaginative flair mean that the films listed i |
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Horror!: 333 Films to Scare You to Death $15.16 New – Horror is one of the most popular and influential genres in cinema, a perennial favorite that just won’t stay dead. It is traditionally the province of adventurous, low-budget filmmakers, and the irreverence this encourages is part of its appeal, with taboo-busting swipes at everything from organized religion to the sanctity of family. It’s no wonder, then, that it has had a rough ride from the establishment. But the genre’s inventiveness and imaginative flair mean that the films listed in |
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Indie: An American Film Culture $59.2 New – From Stranger than Paradise (1984) to Synecdoche, New York (2008), America’s independent films often seem to defy classification. Their strategies of storytelling and representation vary widely, and they range from raw, no-budget productions to the more polished releases of Hollywood’s “specialty” divisions. Understanding American indies involves more than just considering films. Filmmakers, distributors, exhibitors, festivals, critics, and audiences play a role in the art’s identity, wh |
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Indie: An American Film Culture $59.2 Used – From Stranger than Paradise (1984) to Synecdoche, New York (2008), America’s independent films often seem to defy classification. Their strategies of storytelling and representation vary widely, and they range from raw, no-budget productions to the more polished releases of Hollywood’s “specialty” divisions. Understanding American indies involves more than just considering films. Filmmakers, distributors, exhibitors, festivals, critics, and audiences play a role in the art’s identity, w |
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Indie: An American Film Culture $21.46 New – From Stranger than Paradise (1984) to Synecdoche, New York (2008), America’s independent films often seem to defy classification. Their strategies of storytelling and representation vary widely, and they range from raw, no-budget productions to the more polished releases of Hollywood’s “specialty” divisions. Understanding American indies involves more than just considering films. Filmmakers, distributors, exhibitors, festivals, critics, and audiences play a role in the art’s identity, wh |
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Indie: An American Film Culture $26.5 America’s independent films often seem to defy classification. Their strategies of storytelling and representation range from raw, no-budget projects to more polished releases of Hollywood’s “specialty” divisions. Yet understanding American indies involves more than just considering films. Filmmakers, distributors, exhibitors, festivals, critics, and audiences all shape the art’s identity, which is always understood in relation to the Hollywood mainstream.By locating the American indie film in the historical context of the “Sundance-Miramax” era (the mid-1980s to the end of the 2000s), Michael Z. Newman considers indie cinema as an alternative American film culture. His work isolates patterns of character and realism, formal play, and oppositionality and the functions of the festivals, art houses, and critical media promoting them. He also accounts for the power of audiences to identify indie films in distinction to mainstream Hollywood and to seek socially emblematic characters and playful form in their narratives. Analyzing films such as Welcome to the Dollhouse (1996), Lost in Translation (2003), Pulp Fiction (1994), and Juno (2007), along with the work of Nicole Holofcener, Jim Jarmusch, John Sayles, Steven Soderbergh, and the Coen brothers, Newman investigates the conventions that cast indies as culturally legitimate works of art. He binds these diverse works together within a cluster of distinct viewing strategies and invites a reevaluation of the difference of independent cinema and its relationship to class and taste culture. |
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Indie: An American Film Culture $63.99 America’s independent films often seem to defy classification. Their strategies of storytelling and representation range from raw, no-budget projects to more polished releases of Hollywood’s “specialty” divisions. Yet understanding American indies involves more than just considering films. Filmmakers, distributors, exhibitors, festivals, critics, and audiences all shape the art’s identity, which is always understood in relation to the Hollywood mainstream.By locating the American indie film in the historical context of the “Sundance-Miramax” era (the mid-1980s to the end of the 2000s), Michael Z. Newman considers indie cinema as an alternative American film culture. His work isolates patterns of character and realism, formal play, and oppositionality and the functions of the festivals, art houses, and critical media promoting them. He also accounts for the power of audiences to identify indie films in distinction to mainstream Hollywood and to seek socially emblematic characters and playful form in their narratives. Analyzing films such as Welcome to the Dollhouse (1996), Lost in Translation (2003), Pulp Fiction (1994), and Juno (2007), along with the work of Nicole Holofcener, Jim Jarmusch, John Sayles, Steven Soderbergh, and the Coen brothers, Newman investigates the conventions that cast indies as culturally legitimate works of art. He binds these diverse works together within a cluster of distinct viewing strategies and invites a reevaluation of the difference of independent cinema and its relationship to class and taste culture. |
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Indie: An American Film Culture $21.46 Used – From Stranger than Paradise (1984) to Synecdoche, New York (2008), America’s independent films often seem to defy classification. Their strategies of storytelling and representation vary widely, and they range from raw, no-budget productions to the more polished releases of Hollywood’s “specialty” divisions. Understanding American indies involves more than just considering films. Filmmakers, distributors, exhibitors, festivals, critics, and audiences play a role in the art’s identity, w |
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Indie: An American Film Culture $59.2 America’s independent films often seem to defy classification. Their strategies of storytelling and representation range from raw, no-budget projects to more polished releases of Hollywood’s “specialty” divisions. Yet understanding American indies involves more than just considering films. Filmmakers, distributors, exhibitors, festivals, critics, and audiences all shape the art’s identity, which is always understood in relation to the Hollywood mainstream.By locating the American indie film in the historical context of the “Sundance-Miramax” era (the mid-1980s to the end of the 2000s), Michael Z. Newman considers indie cinema as an alternative American film culture. His work isolates patterns of character and realism, formal play, and oppositionality and the functions of the festivals, art houses, and critical media promoting them. He also accounts for the power of audiences to identify indie films in distinction to mainstream Hollywood and to seek socially emblematic characters and playful form in their narratives. Analyzing films such as Welcome to the Dollhouse (1996), Lost in Translation (2003), Pulp Fiction (1994), and Juno (2007), along with the work of Nicole Holofcener, Jim Jarmusch, John Sayles, Steven Soderbergh, and the Coen brothers, Newman investigates the conventions that cast indies as culturally legitimate works of art. He binds these diverse works together within a cluster of distinct viewing strategies and invites a reevaluation of the difference of independent cinema and its relationship to class and taste culture. |
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Jamaican Media: Caribbean Hour, Gleaner Company, $21.98 Purchase includes free access to book updates online and a free trial membership in the publisher’s book club where you can select from more than a million books without charge. Chapters: Film Festivals in Jamaica, Films Shot in Jamaica, Jamaican Documentary Films, Jamaican Film Actors, Jamaican Films, Jamaican Magazines, Jamaican Television Actors, Newspapers Published in Jamaica, Television in Jamaica, Marked for Death, Corbin Bleu, Dr. No, Peter Williams, License to Wed, Babz Chula, Oliver Samuels, Awake Zion, Yanna Mcintosh, the Harder They Come, Madge Sinclair, Life and Debt, Shottas, Neville Callam, Rockers, Caribbean Hour, Land of Look Behind, Scam, Wide Sargasso Sea, Reggae Film Festival, Evan Parke, Dancehall Queen, Fiona Hutchison, Savacou, Third World Cop, List of Jamaican Films, the Jamaica Observer, Jamaica Times, One Love, Caribbean International Network, Gleaner Company, Audrey Reid, Paul Campbell, Glory to Gloriana, Jamaica Journal, Countryman. Excerpt: Dr. No Dr. No (1962), starring Sean Connery , is the first James Bond film . Based on the 1958 Ian Fleming novel of the same name , it was adapted by Richard Maibaum , Johanna Harwood, and Berkely Mather . The film was directed by Terence Young , and produced by Harry Saltzman and Albert R. Broccoli , a partnership that would continue until 1975.In the film, James Bond is sent to Jamaica on an investigation into the death of a fellow British agent. The murder trail leads him to the underground base of Dr. Julius No , who is plotting to disrupt an early American manned space launch with a radio beam weapon. The film does not depict Bond earning his Double-0 status, which grants him a licence to kill ; instead, it presents Bond as a seasoned veteran.Dr. No was produced with a low budget, but was a financial success, leading to a series of films that continues to this day. Dr. No also launched a successful genre of “secret agent” films that flourished in the 1960s. Many of the iconic aspects |
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John Waters: Change of Life $10.79 Used – Once crowned The Pope of Trash by William Burroughs, and now hailed as the genius behind the smash-hit Broadway musical “Hairspray, John Waters (b. 1946) is not only a controversial director, but also a powerful, perceptive visual artist. This book, published on the occasion of his first major museum exhibition, surveys his still photographic works made over the past decade, and also features stills from his seldom-seen no-budget films and objects from Waters’s personal collection that re |
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Killer Tongue $9.98 If nothing else, this throwback to the old low-budget psychotronic films of the ’50s and ’60s is uniquely stylish, even kitschy. A Spanish-British production it is set in New Mexico (but filmed in Spain) and chronicles the twisted adventures of Candy, a thief and con artist who accidentally ingests part of a meteorite and grows an enormous serpentine talking tongue that has a special taste for human flesh. It all begins after Candy and her partner Johnny pull off their latest job. Johnny gets caught and takes the entire rap and Candy flees to a nunnery/gas station in the desert after hiding their loot. Her four pastel dyed poodles accompany her. Soon after her arrival, the meteor crashes as she eats soup with a bit of the space rock in it. She then gives some to the doggies. While the voracious alien appendage grows in her mouths, her poochies turn into drag queens. They help her procure a steady supply of food. Poor Candy tries to cut the horrible thing out of her mouth but to no avail. She finally begs Johnny to escape and help her. He does, but is pursued by a sadistic prison warden. Unfortunately Johnny gets too close to the meteorite as does a speechless nun. When that happens, real chaos ensues. The film contains gory scenes. ~ Sandra Brennan, Rovi |
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Low Angles $34.83 Against his better judgment, Stoney Winston arrives at a flea-bitten desert hamlet to help Diane LaMotta direct her first feature, a no-budget action potboiler titled (oh, please!) BIKERS FROM HELL. The director’s hostile, the cameraman’s drunk, the crew’s rebelling, and the real bikers playing most of the parts act as bad as they smell. No problem. Diane and a luscious biker chick start fighting over Stoney’s skinny bod. No problem. The production’s slowly dying from systematic sabotage that escalates to stabbing, near-drowning, and violent death. That’s a problem. Stoney’s only weapons are his courage, his movie smarts, and his friend, Scuzzy. Courtly Nathaniel Hawthorne (Scuzzy) Fenster supports his rabbinical studies by playing biker roles in films; and since he stands six-six, weighs 300 pounds, and sprouts hair in all directions, the very sight of him would make Attila wet his pants. He works a lot. |
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Make Movies That Make Money!: The Low-Budget Filmmaker’s Guide to Commercial Success $39.95 In the modern filmmaking world, the term "low-budget" can refer to anything from a $10 million indie flick to a student film produced on borrowed equipment with little to no money at all. Similarly, low budget filmmakers can range from seasoned auteurs attempting to shed the shackles of major studio control to novice talents trying to break into the industry. Designed for would-be filmmakers of all ages and experience levels, this book explains how to make a good, as well as commercially successful, low-budget movie in the current climate of mainstream, multi-million dollar Hollywood films. The purpose is not only to show low-budget filmmakers how to get movies made and distributed, but also how to maximize a film’s potential for significant profit. Written in practical, understandable terms, the book covers everything from commercially viable genres to the most efficient film and video formats, along with tips on hiring stars, pursuing investors, distributing and marketing a film, and keeping track of expenses. |
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My First Movie: Take Two: Ten Celebrated Directors Talk about Their First Film $13.99 NOBODY FORGETS THEIR FIRST TIME–AND FILM DIRECTORS ARE NO EXCEPTION.In these strikingly candid interviews, ten internationally acclaimed directors–Richard Linklater, Richard Kelly, Alejandro González Iñárritu, Takeshi Kitano, Shekhar Kapur, Émir Kusturica, Agnès Jaoui, Lukas Moodysson, Terry Gilliam, and Sam Mendes–talk about the struggles and rewards of making their first film.Each chapter is devoted to a particular director and his or her debut–Slacker, Donnie Darko, Amores Perros, Jabberwocky, and American Beauty among them–and reveals telling details about the inside story of the film-making process: from writing the script to raising the money, from casting actors to gathering the crew, from shooting to editing, and, finally, screening the film.From these very different directors, working in many different countries, we get glimpses of a rich variety of filmmaking worlds–from Bollywood to Hollywood, no-budget to low-budget, studio-financed to self-financed. In each case, the directors relive the sometimes comic, sometimes tragic struggle to launch their careers, unself-consciously opening up about one of the most grueling experiences imaginable. Stephen Lowenstein, a young director himself, with two short films to his credit, has posed the questions that reveal their tales of triumph and disaster.For anyone who wants to direct, these stories will be enlightening and inspiring. For all other film fans, these interviews are an entertaining look at the raw beginnings of directors whose names are now familiar to cinema audiences around the world. |
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My First Movie: Take Two: Ten Celebrated Directors Talk about Their First Film $0.99 NOBODY FORGETS THEIR FIRST TIME–AND FILM DIRECTORS ARE NO EXCEPTION.In these strikingly candid interviews, ten internationally acclaimed directors–Richard Linklater, Richard Kelly, Alejandro González Iñárritu, Takeshi Kitano, Shekhar Kapur, Émir Kusturica, Agnès Jaoui, Lukas Moodysson, Terry Gilliam, and Sam Mendes–talk about the struggles and rewards of making their first film.Each chapter is devoted to a particular director and his or her debut–Slacker, Donnie Darko, Amores Perros, Jabberwocky, and American Beauty among them–and reveals telling details about the inside story of the film-making process: from writing the script to raising the money, from casting actors to gathering the crew, from shooting to editing, and, finally, screening the film.From these very different directors, working in many different countries, we get glimpses of a rich variety of filmmaking worlds–from Bollywood to Hollywood, no-budget to low-budget, studio-financed to self-financed. In each case, the directors relive the sometimes comic, sometimes tragic struggle to launch their careers, unself-consciously opening up about one of the most grueling experiences imaginable. Stephen Lowenstein, a young director himself, with two short films to his credit, has posed the questions that reveal their tales of triumph and disaster.For anyone who wants to direct, these stories will be enlightening and inspiring. For all other film fans, these interviews are an entertaining look at the raw beginnings of directors whose names are now familiar to cinema audiences around the world. |
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No Place Like Home: Tips & techniques for real family-friendly home design $19.99 Stylish and practical design for real familiesRenowned designer Stephen Saint-Onge has a very real sense of what everyday families want and need from their homes. As a father, husband, and homeowner, he knows that a home needs to do more than look nice to function for a family.Mixing traditional American style with modern comfort and convenience, No Place Like Home walks you through Stephen’s tried-and-true process for finding design inspiration in unconventional places—like films that may spark an idea or conversation about a style that you’re drawn to—and guiding you to build a personal “Look Book” that helps you define your unique wants and needs. Drawn from his varied experiences from the many room makeovers he’s done on television and in magazines, as well as the work he’s done with private clients in their real-life homes, his hands-on design knowledge and time-saving tips empower anyone to live by his credo that “good home design has the power to change lives.”More than just beautiful photographs, No Place Like Home is a useful tool for anyone looking for creative direction on making a home truly livable and inviting. The first section helps you approach design by defining your style and determining your goals and budget; introduces creative tools and tricks that can have a big impact on a room; and educates you on various materials, furnishings, and accessories. The second section walks you through each room of the home, revealing secrets that Stephen has discovered in working with hundreds of families through the years. It includes not just living rooms, dining rooms, bedrooms, and kitchens, but also home offices, kids’ rooms, and multipurpose spaces.Full of creative advice, design tips, and renovation ideas, No Place Like Home shows real families how to create beautiful spaces that work in the real world. |
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Practical Dv Filmmaking $31.61 Written for the beginner, Practical DV Filmmaking guides you thorough the process of making a film with low-cost digital equipment: from development through to production, post-production and distribution. While the technical tools you need are fully explained, the book concentrates on filmmaking principles throughout, illustrating how these tools can be used to achieve stylistic approaches for innovative filmmaking. The book assumes no background knowledge in either technology or filmmaking and is divided into four key areas: *DEVELOPMENT: turn your idea into a workable script, storyboard and schedule.*PRODUCTION: develop skills to shoot original short films and turn a zero-to-low budget to your advantage.*POST-PRODUCTION: learn basic editing techniques to enhance your original idea using iMovie, Premiere and other popular tools.*DISTRIBUTION: set up a website and use the internet to promote your film. Includes numerous links to useful websites. Plus, top tips for how to enter a film festival and a new chapter on developing a career. Projects enable you to master each step of the process taking you through different aspects of filmmaking today. Gradually you will find out where your strengths lie and how to make the most of them. The book also encourages stylistic development by intruding theoretical approaches to filmmaking. A glossary of terms plus an appendix of resources make this guide a one-stop essential handbook to DV filmmaking practice for beginners and student filmmakers. * Master low-budget filmmaking principles with easy step-by-step techniques and practical projects* Develop a real world perspective through case studies and interviews withsuccessful filmmakers * Combine technical know-how with stylistic approaches to filmmaking. |
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Procedural Films (Study Guide) $20.75 Purchase includes free access to book updates online and a free trial membership in the publisher’s book club where you can select from more than a million books without charge. Chapters: Soylent Green, M, the Insider, State of Play, Zodiac, Good Night, and Good Luck, Quai Des Orfèvres, All the President’s Men, the Naked City, the Andromeda Strain, the Street With No Name, the Blue Lamp, He Walked by Night, Call Northside 777, Border Incident, Stray Dog, Castle of Sand, T-Men, M. Excerpt: All the President’s Men All the President’s Men is a 1976 film based on the 1974 non-fiction book of the same name by Bob Woodward and Carl Bernstein , the two journalists investigating the Watergate scandal for the Washington Post . The film adaptation starred Robert Redford and Dustin Hoffman as Woodward and Bernstein, respectively; it was produced by Walter Coblenz, written by William Goldman and directed by Alan J. Pakula . Plot The book, also titled All the President’s Men , was adapted for the screen by William Goldman . The story chronicles the Pulitzer Prize -winning investigative reporting of Woodward and Bernstein from their initial report on the Watergate break-in to their revelation of the Nixon Administration’s corrupt campaign of sabotage against its political rivals. It relates the events behind the major stories the duo wrote for the Washington Post , naming some sources who had previously refused to be identified for their initial articles, notably Hugh Sloan . It also gives detailed accounts of Woodward’s secret meetings with his source “Deep Throat “, whose identity was kept secret for over 30 years. Only in 2005 was Deep Throat finally revealed to be former FBI Associate Director W. Mark Felt . Cast Actor: Role Production Robert Redford bought the rights to Woodward and Bernstein’s book in 1974 for $450,000 with the notion to adapt it into a film with a budget of $5 million. Ben Bradlee realized that the film was going to be made |
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Raindance Writer’s Lab 2: Write + Sell the Hot Screenplay $32.95 If you’re looking for a straightforward, practical, no-nonsense guide to scriptwriting that will hold your hand right the way through the process, read on! The Raindance Writers’ Lab guides you through the tools that enable you to execute a strong treatment for a feature and be well on the way to the first draft of your script.Elliot Grove uses a hands-on approach to screenwriting based on his many years of experience teaching the subject for Raindance training. He uses step-by-step processes illustrated with diagrams and charts to lend a visual structure to the teaching. Techniques are related to real-life examples throughout, from low budget to blockbuster films.In this brand new 2nd edition, Grove expands on his story structure theory, as well as how to write for the internet and short films.The Companion Website also contains sample scripts and legal contracts, a writing exercise illustrated with a video clip, a folder full of useful hyperlinks for research, and a demo version of Final Draft screenwriting software. |
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Raindance Writer’s Lab: Write and Sell the Hot Screenplay with CDROM $62.15 This is a straight forward, no-nonsense guide to scriptwriting that will hold your hand right the way through the process. It is based on the author’s experience of teaching scriptwriting courses or the training arm of the Raindance Film Festival, and adopts a practical approach to the fundamental tools that will enable you to execute a strong treatment for a feature and be well on the way to the first draft of your script.The book adopts a business-like approach with an emphasis on selling your script. The author uses a hands-on approach to screenwriting, with step-by-step processes illustrated visually with the aid of diagrams and charts to lend a structure to teaching. Techniques are related to real-life examples throughout, from low budget to blockbuster films. Plus the first ten pages of commercially successful movies are analyzed: Sixth Sense, As Good as it Gets, Taxi Driver, Thelma and Louise, Four Weddings and a Funeral. |
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Rajiv Kanakala $39.34 Used – High Quality Content by WIKIPEDIA articles! Rajiv Kanakala is an Tollywood actor, who is mainly seen in films as a supporting actor.He also has been playing main lead roles in small budget movies. He started his career from television serials where he not only acted but produced and directed a few t.v serials.His wife Suma is the most popular t.v anchor in telugu. He is son of Devadas Kanakala. Student No.1 (dubbed into Hindi as Aaj Ka Mujrim) is a Telugu movie starring Jr NTR and Gajala. |
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Rajiv Kanakala $39.34 New – High Quality Content by WIKIPEDIA articles! Rajiv Kanakala is an Tollywood actor, who is mainly seen in films as a supporting actor.He also has been playing main lead roles in small budget movies. He started his career from television serials where he not only acted but produced and directed a few t.v serials.His wife Suma is the most popular t.v anchor in telugu. He is son of Devadas Kanakala. Student No.1 (dubbed into Hindi as Aaj Ka Mujrim) is a Telugu movie starring Jr NTR and Gajala. |
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Rajiv Kanakala $41 High Quality Content by WIKIPEDIA articles! Rajiv Kanakala is an Tollywood actor, who is mainly seen in films as a supporting actor.He also has been playing main lead roles in small budget movies. He started his career from television serials where he not only acted but produced and directed a few t.v serials.His wife Suma is the most popular t.v anchor in telugu. He is son of Devadas Kanakala. Student No.1 (dubbed into Hindi as Aaj Ka Mujrim) is a Telugu movie starring Jr NTR and Gajala. This was the debut film of current Tollywood director S.S. Rajamouli. Aditya (NTR) joins a law college in Vizag as a student. The law college is notorious for its unruly students headed by Satya (Rajeev Kanakala). Aditya is shown as a young mysterious man and throughout the first half there are several flashbacks to his story. He makes the unruly students mend their ways. In the interval, we come to know that Aditya is a criminal facing murder charges and is serving his life term in Vizag central jail. He attends the college with a special permission from the jail authorities. |
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Rank Collection: Christopher Columbus $19.99 Reverent to the point of tedium, Christopher Columbus stars Fredric March in the title role, and he’s welcome to it. March’s wife Florence Eldredge co-stars as Queen Isabella, who finances Columbus’ expedition to find a westward route to India. After several reels devoted to table-top miniatures impersonating the Nina, the Pinta and the Santa Maria (punctuated by rumbles of mutiny–no, not “rumble rumble, mutiny mutiny”) Columbus reaches the New World. Though obviously filmed on an extravagant budget (Technicolor was still a rare commodity in 1949), the British Christopher Columbus has less going for it than the 1939 Porky Pig cartoon Christopher Columbus Jr.. Filmgoers stayed away in droves, as they would when the movie industry “rediscovered” Columbus for a brace of disastrous multimillion-dollar films in 1992. ~ Hal Erickson, Rovi |
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RuPaul Is: Starbooty! $56.99 Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. High Quality Content by WIKIPEDIA articles! RuPaul is: Starbooty! is an extremely low-budget underground film trilogy starring and co-produced by then-unfamous drag queen RuPaul. Because it was produced on a very low budget, various posters, advertisements and video covers alternate the spelling between “Starbooty” and “Starrbooty”. Filmed on a zero-dollar budget, the movies are a pastiche of 1960s blaxploitation films. RuPaul stars as Starbooty, a crime fighting federal agent who disposes of villains while getting entangled in romantic liaisons. At the time, RuPaul was still participating in a type of drag known as genderfuck; as such his appearance generally is of a man with feminine makeup and clothes, but no padding or taping to make the body look female. Outside the canon of the actual films, a sketch on RuPaul’s VH1 talk show continued the storyline of the character of Starbooty with a preview for an alleged new film called “Starbooty in: Take That You Honky Bitch”. |
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Russ Meyer $48 High Quality Content by WIKIPEDIA articles! Russell Albion Meyer was an American motion picture director, producer, screenwriter, cinematographer, editor, actor, and photographer. Meyer is known primarily for writing and directing a series of successful low-budget sexploitation films that featured campy humor, sly satire, and large-breasted actresses. Russ Meyer was born in San Leandro, California to William Arthur Meyer, a German-American police officer, and his wife Lydia Lucinda Hauck Howe. His parents divorced shortly after he was born, and Meyer was to have virtually no contact with his father during his life. When he was 14, his mother pawned her wedding ring in order to buy him an 8mm film camera. He made a number of amateur films at the age of 15, and served during World War II as a U.S. Army combat cameraman for the 166th Signal Photo Company. It was in the Army that Meyer forged his strongest friendships, and he would later ask many of his fellow combat cameramen to work on his films. Much of Meyer’s work during World War II can be seen in newsreels and in the film Patton. |
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Scarecrow Gone Wild $44.99 High Quality Content by WIKIPEDIA articles! Scarecrow Gone Wild is a low budget film released in 2004 about a group of college co-eds who are hunted down by a killer Scarecrow after a hazing ritual sends one male student into a coma. The film is the third in a series of films about Scarecrows who kill people. The first two are Scarecrow and Scarecrow Slayer. The film was directed and written by Brian Katkin. Ken Shamrock, former NWA World Heavyweight Champion, stars in the film as the coach.Sam (Caleb Roehrig) is one of the freshman on the baseball team who are being hazed by upperclassmen, including his friend Jack (Matthew Linhardt). Because Sam needs a scholarship to attend college, Jack gave him a urine sample so that no one would know he was diabetic and he would make the team, thus giving him a chance at a scholarship.needs a scholarship to attend college, Jack gave him a urine sample so that no one would know he was diabetic and he would make the team, thus giving him a chance at a scholarship. |
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Silent Bob Speaks: The Collected Writings of Kevin Smith $1.99 From the award-winning screenwriter and director — a collection of irreverent and hilarious rants on the absurdity of just about everything.In 1994, Kevin Smith debuted his low-budget film Clerks at the Sundance Film Festival. It became an instant cult classic and made Smith the top dog of the indie film world. Next he was an executive producer of the smash hit Good Will Hunting and quickly earned the title “King of Gen X Cinema” from Time magazine. He appeared on Charlie Rose, Politically Incorrect, Late Night with Conan O’Brien, and currently holds a regular spot on The Tonight Show with Jay Leno hosting a segment entitled “Roadside Attractions.” Fans of his films will instantly recognize Smith as Silent Bob — the character with no lines. And last year Smith began writing a hilarious monthly column covering popular culture for Arena magazine. In this side-splitting rant-fest, Kevin Smith waxes rhapsodic and obnoxious on everything from his platonic infatuation with Ben Affleck to his bloodcurdling hatred of Britney Spears, from his shocking diagnosis with morbid obesity to the fatal flaws of SpiderMan — all done in his inimitable, raunchy style. Silent Bob Speaks interweaves the best of the Arena columns with a new introduction by the author to produce Smith’s first collection of bawdy, over-the-top essays, guaranteed to make his legions of fans choke on their Cheerios. Kevin Smith has written and directed the films Clerks, Mallrats, Chasing Amy, Dogma, Jay and Silent Bob Strike Back, and Jersey Girl. He also served as executive producer of the award-winning Good Will Hunting. He lives in Los Angeles and is currently filming the sequel to Clerks. |
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Six Cult Films From The Sixties $13.99 “It is difficult, if not impossible, to fathom and explain what makes a film a cult film. It is not simply because of excellence in creation or production: many a cult film can be found wanting in those areas. There must be…something else.”In the 1920s, Hollywood experienced a phenomenon concerning a young actress who totally captured the interest and affection of her audiences; whenever she appeared on the screen, she was – IT. She was, of course, talented and appealing, but there was something else, and she had it. The entertainment world dubbed her – ‘The IT Girl’; she even starred in a film called It (1927). Her name was Clara Bow; she was born in 1905 and died in 1965.”There is a correlation between Clara’s ‘IT’ and the appeal of a cult film, which does not depend on the enormity of the budget or the names of the stars, but on – something else. It might be a certain innovation, uniqueness or execution – anything. But it cannot be defined, any more than Clara’s ‘IT.’”No motion picture is ever produced without a host of incidents and mishaps which, voluntarily or involuntarily, become an integral part of the production. In this collection of my own six cult films – the only films I can talk about with first-hand authority – I shall endeavor to give you a no-holds-barred account of the making of those films.”Ib Melchior |
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Tabu (Actress) $49 High Quality Content by WIKIPEDIA articles! Tabu is an Indian film actress. She has mainly acted in Hindi films, though she has also starred in Tamil, Telugu, Malayalam, Marathi, Bengali language films, as well as one American film. She has won the National Film Award for Best Actress twice, and she holds the record for the most wins of Filmfare’s Critics Award for Best Female Performer, with four. Despite a few exceptions, Tabu is best-known for acting in artistic, low-budget films that go on to garner more critical appreciation than substantial box office figures. Her appearances in commercially successful films were few, and her parts in these films were small, such as Border (1997), Saajan Chale Sasural (1996), Biwi No.1 and Hum Saath-Saath Hain: We Stand United (1999). |
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The Godfather Legacy By Harlan Lebo $16 Here is the official companion to Francis Ford Coppola’s masterful trilogy, revised and updated, and packed with more than 100 photographs.<P>The director was a renegade filmmaker who’d never made a profitable picture. The producer was hired because he could stay below budget. The star had a reputation for being difficult. A formula for disaster?<P>No, the makings of one of the greatest films of all time.<P><I>The Godfather Legacy</I> explores the fascinating behind-the-scenes intrigue and uproar during the making of all three films:<P><UL TYPE=DISC><LI>The clashes between Coppola and the studio chiefs during the filming of <I>The Godfather,</I> the pressurized production schedule, and the project’s near cancellation<P><LI>The real story behind the cooperation of the Mafia in the creation of <I>The Godfather</I><P><LI>The worldwide acclaim and stunning financial success following the release of <I>The Godfather –</I> a triumph that set the stage for the film industry’s renaissance<P><LI>The production of <I>The Godfather Part II</I> and the rise of Coppola, Al Pacino, and others to the loftiest heights of power in Hollywood<P><LI>The creation of <I>The Godfather Part III</I> two decades after the original film and the completion of video projects that unified the three films for the first time</UL><P>Featuring production records, credits, reviews, and interviews with many of the principals involved, <I>The Godfather Legacy</I> is a rare and vivid peek into the making of three of the most compelling films in Hollywood history. |
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The Psychotronic encyclopedia of film $11.4 Used – The Complete Viewers’ Guide to the Weirdest Movies of All Time!From the slightly offbeat to the outlandishly bizarre…from the no-budget quickie to the multimillion-dollar box-office smash…Psychotronic films range from Attack of the Killer Tomatoes to E.T….from Angel’s Wild Women and Hellcats of the Navy to Dismember Mama and Let Me Die A Woman…from sincere social commentary to utter trash.Psychotronic stars are ex-models, ex-sports heroes, dead rock idols, future presidents, would |
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The Psychotronic encyclopedia of film $255.67 New – The Complete Viewers’ Guide to the Weirdest Movies of All Time!From the slightly offbeat to the outlandishly bizarre…from the no-budget quickie to the multimillion-dollar box-office smash…Psychotronic films range from Attack of the Killer Tomatoes to E.T….from Angel’s Wild Women and Hellcats of the Navy to Dismember Mama and Let Me Die A Woman…from sincere social commentary to utter trash.Psychotronic stars are ex-models, ex-sports heroes, dead rock idols, future presidents, would- |
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The Sacred Cinema Of Andrei Tarkovsky $75 THE SACRED CINEMA OF ANDREI TARKOVSKYA major new study of Russian filmmaker Andrei Tarkovsky (1932-1986), director of seven feature films, including Mirror, Andrei Roublyov, Solaris and The Sacrifice. ?This book explores every aspect of Andrei Tarkovsky’s output in the most detailed fashion – including scripts, budget, production, shooting, editing, camera, sound, music, acting, themes, symbols, motifs, and spirituality. Tarkovsky’s films are analyzed in depth, with scene-by-scene discussions. This is an important addition to film studies, the most painstaking study of Andrei Tarkovsky’s work available. Contains 150 illustrations, of Tarkovsky’s films, Tarkovsky at work, his contemporaries, and his favourite painters. Andrei Tarkovsky is one of the most fascinating of filmmakers. He is supremely romantic, an old-fashioned, traditional artist – at home in the company Leonardo da Vinci, Pieter Brueghel, Aleksandr Pushkin, Fyodor Dostoievsky and Byzantine icon painters. Tarkovsky is a magician, no question, but argues for demystification (even while films celebrate mystery). His films are full of magical events, dreams, memory sequences, multiple viewpoints, multiple time zones and bizarre occurrences. As genre films, Andrei Tarkovsky’s movies are some of the most accomplished in cinema. As science fiction films, Stalker and Solaris have no superiors, and very few peers. Only the greatest sci-fi films can match them: Metropolis, King Kong, Close Encounters of the Third Kind and 2001: A Space Odyssey. Tarkovsky happily and methodically rewrote the rules of the sci-fi genre: Stalker and Solaris are definitely not routine genre outings. They don’t have the monsters, the aliens, the visual effects, the battles, the laser guns, the stunts and action set-pieces of regular science fiction movies. No one could deny that Andrei Roublyov is one of the greatest historical films to explore the Middle Ages, up there with The |
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The Sacred Cinema Of Andrei Tarkovsky $44.99 THE SACRED CINEMA OF ANDREI TARKOVSKYA major new study of Russian filmmaker Andrei Tarkovsky (1932-1986), director of seven feature films, including Mirror, Andrei Roublyov, Solaris and The Sacrifice. ?This book explores every aspect of Andrei Tarkovsky’s output in the most detailed fashion – including scripts, budget, production, shooting, editing, camera, sound, music, acting, themes, symbols, motifs, and spirituality. Tarkovsky’s films are analyzed in depth, with scene-by-scene discussions. This is an important addition to film studies, the most painstaking study of Andrei Tarkovsky’s work available. Contains 150 illustrations, of Tarkovsky’s films, Tarkovsky at work, his contemporaries, and his favourite painters. Andrei Tarkovsky is one of the most fascinating of filmmakers. He is supremely romantic, an old-fashioned, traditional artist – at home in the company Leonardo da Vinci, Pieter Brueghel, Aleksandr Pushkin, Fyodor Dostoievsky and Byzantine icon painters. Tarkovsky is a magician, no question, but argues for demystification (even while films celebrate mystery). His films are full of magical events, dreams, memory sequences, multiple viewpoints, multiple time zones and bizarre occurrences. As genre films, Andrei Tarkovsky’s movies are some of the most accomplished in cinema. As science fiction films, Stalker and Solaris have no superiors, and very few peers. Only the greatest sci-fi films can match them: Metropolis, King Kong, Close Encounters of the Third Kind and 2001: A Space Odyssey. Tarkovsky happily and methodically rewrote the rules of the sci-fi genre: Stalker and Solaris are definitely not routine genre outings. They don’t have the monsters, the aliens, the visual effects, the battles, the laser guns, the stunts and action set-pieces of regular science fiction movies. No one could deny that Andrei Roublyov is one of the greatest historical films to explore the Middle Ages, up there with The |
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The Worst Movies of All Time: Or What Were They Thinking? $51.56 New – bad movie does not always mean a low-budget venture starring fourth-rate actors under the careless guidance of an untalented director. Oh no. Everyone in Hollywood has made a mistake at one time or another — and some have made lots. In this volume, entertainment journalist Michael Sauter has gone after some of the biggest filmmakers ever and exposed their greatest cinematic blunders. Some he cites may be obvious; others will surprise. So be prepared … box-office hits, “best-loved” films |
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The Worst Movies of All Time: Or What Were They Thinking? $120.31 New – bad movie does not always mean a low-budget venture starring fourth-rate actors under the careless guidance of an untalented director. Oh no. Everyone in Hollywood has made a mistake at one time or another — and some have made lots. In this volume, entertainment journalist Michael Sauter has gone after some of the biggest filmmakers ever and exposed their greatest cinematic blunders. Some he cites may be obvious; others will surprise. So be prepared … box-office hits, “best-loved” films |
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To the Devil – A Diva! $8.57 Used – Karla Sorensen used to be big in horror films. In the sixties and seventies no self-respecting low-budget bloody schlocker shocker was complete without her. She was well-qualified; after all, at the age of ten, she sold her soul to the devil. Now, although spookily ageless, Karla is knocking on in years. Her residuals are drying up and she needs some cash, so she decides to return to the north of England to appear in Menswear, Britain’s most risque TV soap opera. But not everyone’s happ |
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To the Devil – A Diva! $9.37 New – Karla Sorensen used to be big in horror films. In the sixties and seventies no self-respecting low-budget bloody schlocker shocker was complete without her. She was well-qualified; after all, at the age of ten, she sold her soul to the devil. Now, although spookily ageless, Karla is knocking on in years. Her residuals are drying up and she needs some cash, so she decides to return to the north of England to appear in Menswear, Britain’s most risque TV soap opera. But not everyone’s happy |
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Triad Films (Study Guide) $29.93 Purchase includes free access to book updates online and a free trial membership in the publisher’s book club where you can select from more than a million books without charge. Chapters: A Better Tomorrow, Kung Fu Hustle, Vengeance, Infernal Affairs Ii, Infernal Affairs, Pineapple Express, Crank: High Voltage, the Killer, Shanghai Triad, Dragon Boys, Crying Freeman, Infernal Affairs Iii, Turning Point, War, Election 2, Romeo Must Die, Fatal Move, Election, Young and Dangerous, a Better Tomorrow 2, Year of the Dragon, Payback, Exiled, Blood Brothers, Young and Dangerous, Young and Dangerous 2, Young and Dangerous 3, the Corruptor, a Better Tomorrow 3, Jiang Hu, the Hatchet Man, Sucker Free City, Bad Blood, Young and Dangerous 5, Portland Street Blues, Hong Kong Bronx, Young and Dangerous 4, Run Papa Run, as Tears Go By, Isabella, Born to Be King, Just Heroes, Dragon From Russia, Young and Dangerous: the Prequel, a Moment of Romance, Shinjuku Triad Society, Those Were the Days…, Runaway. Excerpt: A Better Tomorrow A Better Tomorrow (Chinese: ; Pinyin : Y ngxióng b nsè; Jyutping : Jing1 hung4 bun2 sik1; literally True Colors of a Hero ) is a 1986 Hong Kong action film which had a profound influence on the Hong Kong movie-making industry, and later on an international scale . Directed by John Woo , it stars Chow Yun-Fat , Ti Lung and Leslie Cheung . Although the movie was made with a tight budget and was relatively unknown until it went on screen due to virtually no advertising, it broke Hong Kong ‘s box office record and went on to become a blockbuster in Asian countries. The success also ensured the sequel A Better Tomorrow 2 , also directed by Woo, and A Better Tomorrow 3: Love |
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Turned on: A Biography of Henry Rollins $7.68 Used – Henry Rollins’s legendary, no-holds-barred performances encompass music, acting and the written and spoken-word. In this energetic biography young writer James Parker plots the course of Rollins’s career, from his punk rock adolescence in Washington DC, through his years with the seminal band Black Flag, to his current status as a cult icon. Rollins’s profile is increasing all the time – as well as appearing in the big budget films Heat, Johnny Mnemonic and Lost Highway he has appeared in |
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Turned on: Biography of Henry Rollins $9.31 Used – Henry Rollins’s legendary, no-holds-barred performances encompass music, acting and the written and spoken-word. In this energetic biography young writer James Parker plots the course of Rollins’s career, from his punk rock adolescence in Washington DC, through his years with the seminal band Black Flag, to his current status as a cult icon. Rollins’s profile is increasing all the time – as well as appearing in the big budget films Heat, Johnny Mnemonic and Lost Highway he has appeared in |
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Turned on: Biography of Henry Rollins $9.31 Used – Henry Rollins’s legendary, no-holds-barred performances encompass music, acting and the written and spoken-word. In this energetic biography young writer James Parker plots the course of Rollins’s career, from his punk rock adolescence in Washington DC, through his years with the seminal band Black Flag, to his current status as a cult icon. Rollins’s profile is increasing all the time – as well as appearing in the big budget films Heat, Johnny Mnemonic and Lost Highway he has appeared in |
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Turned on: Biography of Henry Rollins $9.31 Used – Henry Rollins’s legendary, no-holds-barred performances encompass music, acting and the written and spoken-word. In this energetic biography young writer James Parker plots the course of Rollins’s career, from his punk rock adolescence in Washington DC, through his years with the seminal band Black Flag, to his current status as a cult icon. Rollins’s profile is increasing all the time – as well as appearing in the big budget films Heat, Johnny Mnemonic and Lost Highway he has appeared in |
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Turned on: Biography of Henry Rollins $9.31 Used – Henry Rollins’s legendary, no-holds-barred performances encompass music, acting and the written and spoken-word. In this energetic biography young writer James Parker plots the course of Rollins’s career, from his punk rock adolescence in Washington DC, through his years with the seminal band Black Flag, to his current status as a cult icon. Rollins’s profile is increasing all the time – as well as appearing in the big budget films Heat, Johnny Mnemonic and Lost Highway he has appeared in |
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USED: Martin $8.99 Nearly a decade after George A. Romero changed the face of modern horror films with Night of the Living Dead — and following the less successful projects Season of the Witch and The Crazies — the Pittsburgh-based auteur returned to top form with this superb vampire tale. Set in a rapidly crumbling steeltown suburb, the story focuses on shy, moody Martin (John Amplas), a teenager of East European descent who may or may not be a vampire. Though he possesses no fangs or supernatural powers and has no aversions to either crucifixes or garlic, Martin is nevertheless compelled to drug pretty young women, slash them with razor blades, and consume their blood. His motivations seem purely psychological — as revealed to a call-in radio talk show where Martin has become an anonymous celebrity — but the notion of a family vampire curse is fostered by Martin’s stoic uncle Cuda Lincoln Maazel, who is convinced that he must destroy the boy by hammering a stake through his heart. Romero’s superb script keeps the film’s supernatural questions ambiguous, focusing instead on the characters’ inner turmoil as modern-day attitudes and values clash with vanishing Old World traditions. Filmed on an extremely low budget, Martin benefits from its gritty, kitchen-sink realism, making the outbursts of graphic horror even more surreal and disturbing and creating a sense of doom that builds to a tragically ironic climax. ~ Cavett Binion, Rovi |
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Very Long Engagement $4.61 From Warner Independent, a new division of Warner Bros. Pictures, comes A Very Long Engagement a love story set during World War I featuring the director and star of Amelie, Jean-Pierre Jeunet and Audrey Tautou. With a box-office total of $152 million, Amelie is one of the most popular foreign language films of recent years. Director Jeunet s Engagement is the biggest budget French film in history, opening on 800 screens in its home country. Based on the acclaimed novel by Sebastien Japrisot, the story takes place at the close of the war, when Mathilde(Tautou) receives word that her fiancee is one of five wounded soldiers who have been court-martialed and forced into the no-man s-land between the French and German lines to die an almost certain death. Unwilling to accept that her lover is lost to her forever, Mathilde embarks on an investigation, strengthened by a steadfast hope. In her quest to discover his fate, she is drawn deeper into the horrors of war and the indelible marks it leaves on those whose lives it has touched. The orchestral score is by Angelo Badalamenti (Twin Peaks, Mulholland Drive, The Company, The Straight Story, Lost Highway), conducted by Phil Marshall. |